 His style of acting is, if we may use the expression, more significant, more pregnant with meaning, more varied and alive in every part, than any we have almost ever witnessed.  The Life of Edmund Kean - Seite 138von Frederick William Hawkins - 1869 - 420 SeitenVollansicht - Über dieses Buch
 | William Hazlitt - 1818 - 282 Seiten
...appearance of age and feebleness than on the first night, but the general merit of his playing was the same. His style of acting is, if we may use the expression,...vacant pause in the action ; the eye is never silent. For depth and force of conception, we have seen actors whom we should prefer to Mr. Kean in Shylock... | |
 | William Hazlitt - 1851 - 360 Seiten
...appearance of age and feebleness than on the first night, but the general merit of his playing was the same. His style of acting is, if we may use the expression,...vacant pause in the action ; the eye is never silent. For depth and force of conception, we have seen actors whom we should prefer to Mr. Kean in Shylock... | |
 | William Hazlitt - 1851 - 364 Seiten
...appearance of age and feebleness than on the first night, but the general merit of his playing was the same. His style of acting is, if we may use the expression,...vacant pause in the action ; the eye is never silent. For depth and force of conception, we have seen actors whom we should prefer to Mr. Kean in Shylock... | |
 | Edward Livermore Burlingame, Robert Bridges, Alfred Sheppard Dashiell, Harlan Logan - 1926 - 916 Seiten
...commentators and critics are loud in his praise. Hazlitt, in The Chronicle, says: "His style of acting is more significant, more pregnant with meaning, more...every part, than any we have almost ever witnessed. . . . It is not saying too much of Mr. Kean, though it is saying a great deal, that he is all that... | |
 | Joseph Fitzgerald Molloy - 1888 - 324 Seiten
...impenetrable, dark groundwork of Shylock. It would be needless to point out individual beauties, when almost every passage was received with equal and deserved...It is not saying too much of Mr. Kean, though it is CRITICISMS ON THE JEW. 141 saying a great deal, that he is all that Mr. Kemble wants of perfection."... | |
 | William Hazlitt - 1903 - 586 Seiten
...of the art, which gave too much relief to the hard, impenetrable, dark ground-work of the character of Shylock. It would be needless to point out individual...Mr. Kean, though it is saying a great deal, that he has all that Mr. Kemble wantt of perfection.' V The accounts in the other papers were not to be sure... | |
 | William Hazlitt - 1903 - 624 Seiten
...appearance of age and feebleness than on the first night, but the general merit of his playing was the same. His style of acting is, if we may use the expression,...vacant pause in the action ; the eye is never silent. For depth and force of conception, we have seen actors whom we should prefer to Mr. Kean in Shylock... | |
 | William Hazlitt - 1906 - 426 Seiten
...relief to the hard, impenetrable, dark ground-work of the character of Shylock. It would be needless 2 to point out individual beauties, where almost every...character never stands still; there is no vacant pause 1 Merchant of Venice, I, iii. 2 The Morning Chronicle said : " It would be endless." in the action... | |
 | Otis Skinner - 1928 - 336 Seiten
...commentators and critics are loud in his praise. Hazlitt in THE CHRONICLE says, "His style of acting is more significant, more pregnant with meaning, more...every part than any we have almost ever witnessed. ... It is not saying too much of Mr. Kean, though it is saying a great deal, that he is all that Mr.... | |
 | John Gross - 1994 - 404 Seiten
...and expression." Returning to report on the second performance, six days later, he went even further: "His style of acting is, if we may use the expression,...every part, than any we have almost ever witnessed." By now most of the other London critics were also present, and they were unanimous in their praise.... | |
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