Essays by Divers Hands: Being the Transactions of the Royal Society of Literature, Band 25 |
Im Buch
Ergebnisse 1-3 von 20
Seite 54
... Greek . Swinburne did not adhere to the form of Greek tragedy with any servile pedantry . ' Atalanta in Calydon ' is half as long again as the longest extant Greek tragedy . Swinburne's exuber- ance needed a wider scope than an ancient ...
... Greek . Swinburne did not adhere to the form of Greek tragedy with any servile pedantry . ' Atalanta in Calydon ' is half as long again as the longest extant Greek tragedy . Swinburne's exuber- ance needed a wider scope than an ancient ...
Seite 55
... Greek quantitative verse but impossible in accentual English unless rhyme comes to the rescue . Finally , the great lamentations which close the poem , when four characters and the Chorus are on the stage together , are outside the Greek ...
... Greek quantitative verse but impossible in accentual English unless rhyme comes to the rescue . Finally , the great lamentations which close the poem , when four characters and the Chorus are on the stage together , are outside the Greek ...
Seite 56
... Greek soul . She is torn between intolerable alternatives , and she decides that loyalty to her brothers is more important than love for her son . In presenting her anguish and her decision Swinburne makes use of a famous and disputed ...
... Greek soul . She is torn between intolerable alternatives , and she decides that loyalty to her brothers is more important than love for her son . In presenting her anguish and her decision Swinburne makes use of a famous and disputed ...
Inhalt
Fact and Fancy in Medieval English Literature By Miss | 12 |
III | 28 |
Atalanta in Calydon By C M Bowra M A F B A | 51 |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept Aeschylus appear Atalanta Baker baroque beginning believe Bristol called century characters Chatterton comes common course critic death described effect English example eyes face fact feel give Greek Greek tragedy hand happen head heart human idea imagination impression interest Italy John kind later leave less letter light lines literature live London look Lord manner matter means medieval Middle mind moral nature never observation once original passed perhaps persons picture play poem poet poetry present readers reason remember Scott seems sense short story Society soul speak spirit Street style suggest Swinburne tell Thackeray things thought true truth Turgenev turned Vanity Fair whole write written wrote young Zinaïda