Essays by Divers Hands: Being the Transactions of the Royal Society of Literature, Band 25 |
Im Buch
Ergebnisse 1-3 von 16
Seite 68
... kind , in which actual human experience is left behind and replaced by something distilled from it , the special kind of sweetness which lurks in all truly tragic poetry but is here separated from the fuller emotions which create it ...
... kind , in which actual human experience is left behind and replaced by something distilled from it , the special kind of sweetness which lurks in all truly tragic poetry but is here separated from the fuller emotions which create it ...
Seite 69
... kind . He had a most uncommon sensibility to all kinds of poetry , and his instinctive flair taught him to look for those indefinable effects which lie beyond meaning and beyond emotion in the essential and authentic delight which comes ...
... kind . He had a most uncommon sensibility to all kinds of poetry , and his instinctive flair taught him to look for those indefinable effects which lie beyond meaning and beyond emotion in the essential and authentic delight which comes ...
Seite 125
... kind of narrative should have a beginning , a middle and an end ; and when the end is reached the whole story should ... kind of story . The author does not copy life ; he arranges it in order the better to interest , excite and surprise ...
... kind of narrative should have a beginning , a middle and an end ; and when the end is reached the whole story should ... kind of story . The author does not copy life ; he arranges it in order the better to interest , excite and surprise ...
Inhalt
Fact and Fancy in Medieval English Literature By Miss | 12 |
III | 28 |
Atalanta in Calydon By C M Bowra M A F B A | 51 |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept Aeschylus appear Atalanta Baker baroque beginning believe Bristol called century characters Chatterton comes common course critic death described effect English example eyes face fact feel give Greek Greek tragedy hand happen head heart human idea imagination impression interest Italy John kind later leave less letter light lines literature live London look Lord manner matter means medieval Middle mind moral nature never observation once original passed perhaps persons picture play poem poet poetry present readers reason remember Scott seems sense short story Society soul speak spirit Street style suggest Swinburne tell Thackeray things thought true truth Turgenev turned Vanity Fair whole write written wrote young Zinaïda