The Complete Poetical Works of Alexander PopeHoughton, Mifflin, 1903 - 672 Seiten |
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Seite vii
... CRITICISM . · PART I .. PART II . PART III . AND 1712 . T DEMS WRITTEN BETWEEN 1708 ODE FOR MUSIC ON ST . CECILIA'S DAY . ARGUS · • 28 103 A FAREWELL TO LONDON 103 33985 IMITATION OF MARTIAL • 104 46 IMITATION OF TIBULLUS . 104 52 THE ...
... CRITICISM . · PART I .. PART II . PART III . AND 1712 . T DEMS WRITTEN BETWEEN 1708 ODE FOR MUSIC ON ST . CECILIA'S DAY . ARGUS · • 28 103 A FAREWELL TO LONDON 103 33985 IMITATION OF MARTIAL • 104 46 IMITATION OF TIBULLUS . 104 52 THE ...
Seite xii
... Criticism , and even in The Dunciad . The Pastorals , composed at sixteen , though conventional in conception and not seldom mechanical in execution , contain pas- sages in the poet's ripest manner . With the Essay on Criticism ...
... Criticism , and even in The Dunciad . The Pastorals , composed at sixteen , though conventional in conception and not seldom mechanical in execution , contain pas- sages in the poet's ripest manner . With the Essay on Criticism ...
Seite xiii
... critic's advice , therefore , amounted simply to an encouragement in pursuing the method which Pope had already adopted : in employing a more rigid metrical scheme than any previous poet , even Sandys or Dryden , had attempted . The ...
... critic's advice , therefore , amounted simply to an encouragement in pursuing the method which Pope had already adopted : in employing a more rigid metrical scheme than any previous poet , even Sandys or Dryden , had attempted . The ...
Seite xiv
... critic . Up to the year 1714 Pope , whatever irritation he may have felt toward Addison , had chosen to ' take it out of the followers of the great man rather than out of the great man himself . The insertion of the Tory passage in ...
... critic . Up to the year 1714 Pope , whatever irritation he may have felt toward Addison , had chosen to ' take it out of the followers of the great man rather than out of the great man himself . The insertion of the Tory passage in ...
Seite xv
... criticism , to which the practitioner may apply for sound guidance upon almost any given point , but an exhaus- tive satire upon false methods of criticism . It is a compendious rule of criticism which works both ways ; hardly less ...
... criticism , to which the practitioner may apply for sound guidance upon almost any given point , but an exhaus- tive satire upon false methods of criticism . It is a compendious rule of criticism which works both ways ; hardly less ...
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Achilles Ajax Antilochus arms Asius Atrides Behold beneath bless'd blood bold brave breast breath chariot charms Chief coursers cries crown'd dart dead death Diomed divine dreadful Dunciad Ev'n ev'ry eyes fair falchion fall fame fate field fierce fight fire fix'd flame flies fool fury gen'rous glory Goddess Gods grace Grecian Greece Greeks hand haste hear heart Heav'n heav'nly Hector hero honours Idomeneus Iliad Ilion jav'lin Jove King Laërtes Line Lord lov'd Lycian Menelaus mighty mind mortal Muse night numbers nymph o'er Pallas Patroclus Peleus plain pleas'd poem poet Pope Pope's praise press'd Priam pride Prince proud Queen race rage rise round sacred Sappho shade shine shore sire skies slain soul spear spoke steeds Swift tears Telemachus thee thine thou thro toils trembling Trojan Troy Tydeus Ulysses verse Virtue walls warrior woes wound wretched youth
Beliebte Passagen
Seite 141 - All Nature is but Art, unknown to thee; All Chance, Direction, which thou canst not see; All Discord, Harmony not understood; All partial Evil, universal Good: And, spite of Pride, in erring Reason's spite, One truth is clear, WHATEVER is, is RIGHT.
Seite 90 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Seite 139 - The lamb thy riot dooms to bleed to-day, Had he thy Reason would he skip and play ? Pleas'd to the last he crops the flowery food, And licks the hand just rais'd to shed his blood.
Seite 98 - Cares produce, Or who would learn one earthly Thing of Use ? To patch, nay ogle, might become a Saint, Nor could it sure be such a Sin to paint. But since, alas ! frail Beauty must decay...
Seite 72 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Seite 94 - The little engine on his fingers' ends; This just behind Belinda's neck he spread, As o'er the fragrant steams she bends her head. Swift to the lock a thousand sprites repair...
Seite 93 - Falls undistinguish'd by the victor spade! Thus far both armies to Belinda yield; Now to the baron fate inclines the field. His warlike Amazon her host invades, Th' imperial consort of the crown of spades.
Seite 168 - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
Seite 138 - Say first, of God above, or man below What can we reason, but from what we know? Of man, what see we but his station here, From which to reason, or to which refer?
Seite 91 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.