Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
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Seite 88
... Cordelia makes it known to her suitors that she was disinherited ' for want of that for which I am richer ' ( I. i.229 ) , and the French king finds himself strangely drawn to this ' unpriz'd precious maid ' ( 1.258 ) whose virtue has ...
... Cordelia makes it known to her suitors that she was disinherited ' for want of that for which I am richer ' ( I. i.229 ) , and the French king finds himself strangely drawn to this ' unpriz'd precious maid ' ( 1.258 ) whose virtue has ...
Seite 141
... Cordelia for Lear - a central- ity that dominates the play after her reappearance in act 4 , scene 4. This is the significance of Lear's non- recognition of Kent ( 5.3.279-95 ) and of his inattention to the Duke of Albany's scheme for ...
... Cordelia for Lear - a central- ity that dominates the play after her reappearance in act 4 , scene 4. This is the significance of Lear's non- recognition of Kent ( 5.3.279-95 ) and of his inattention to the Duke of Albany's scheme for ...
Seite 163
... Cordelia who has picked out Edgar to be her man , and behaves towards him with all the co- quettish possessiveness that the new part demands . To kill such a girl in the way Shakespeare did would be worse than a crime , it would be a ...
... Cordelia who has picked out Edgar to be her man , and behaves towards him with all the co- quettish possessiveness that the new part demands . To kill such a girl in the way Shakespeare did would be worse than a crime , it would be a ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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