Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 81Gale Research Company, 1984 |
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Seite 251
... York and Aumerle dramatizes a tragic effect of revolution - division within nuclear families ( staged emblematically in 3 Henry VI , 2.5 ) . Like Bolingbroke , York also has a rebellious child . The vehement condemnation of a son for ...
... York and Aumerle dramatizes a tragic effect of revolution - division within nuclear families ( staged emblematically in 3 Henry VI , 2.5 ) . Like Bolingbroke , York also has a rebellious child . The vehement condemnation of a son for ...
Seite 277
... York himself will abandon Richard's cause . York is , as Robert B. Price suggests , a " fading remnant of the old order " ( 156 ) . The basic foundation of his prophecy is clearly this old order - specifically the medieval law of " fair ...
... York himself will abandon Richard's cause . York is , as Robert B. Price suggests , a " fading remnant of the old order " ( 156 ) . The basic foundation of his prophecy is clearly this old order - specifically the medieval law of " fair ...
Seite 292
... York can only catalogue his patience — it is too late for anything but such rationalizations - as he objects to Richard's act of confiscation . York argues that time is the context which gives meaning to human activity . We are in a ...
... York can only catalogue his patience — it is too late for anything but such rationalizations - as he objects to Richard's act of confiscation . York argues that time is the context which gives meaning to human activity . We are in a ...
Inhalt
Antony and Cleopatra | 1 |
Character Studies | 13 |
Production Reviews | 42 |
Urheberrecht | |
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action aesthetic Antony and Cleopatra Antony's argues audience Autolycus become behavior body Bolingbroke Brutus Caesar character chard charisma Christian Cleo comedy comic court courtly critics crown death divine dramatic Egypt Elizabethan emotional English Enobarbus essay date fate female figure final Flint Castle Fortune Fortune's Gaunt gender Hamlet hath Henry Hermione Hermione's human identity imagery interpretation jealousy Julius Caesar king King Lear king's kingship language Leontes Leontes's London lovers loyalty Macbeth means medieval ment Merchant of Venice metaphor nature Octavius pastoral patra Paulina Perdita performance play's political Polixenes Portia production prophecy queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet royal says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean tragedy speak speare speare's speech stage suggests symbolic theatrical thou Timon tion tradition tragedy tragic truth Univ University Press Winter's Tale words York