Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 81Gale Research Company, 1984 |
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Seite 61
... feel that the tragic protagonist is groping for the clue to her own tragedy ; and this tantalizing clue , by being so far away and yet so teasingly near , prods at the inner life of the tragic victim with a particularly acute force ...
... feel that the tragic protagonist is groping for the clue to her own tragedy ; and this tantalizing clue , by being so far away and yet so teasingly near , prods at the inner life of the tragic victim with a particularly acute force ...
Seite 258
... feel the role was about : a " girly " king and a double act . Fiona Shaw's innovation was not so much to re - gender ... feels . Then , as he requires his cousin to " seize the crown " ( 4.1.181 ) , he figures the crown as " a deep well ...
... feel the role was about : a " girly " king and a double act . Fiona Shaw's innovation was not so much to re - gender ... feels . Then , as he requires his cousin to " seize the crown " ( 4.1.181 ) , he figures the crown as " a deep well ...
Seite 329
... feel it gone , But know not how it went ; my second joy And first fruits of my body , from his presence I am barr'd , like one infectious ; my third comfort , Starr'd most unluckily , is from my breast- The innocent milk in it most ...
... feel it gone , But know not how it went ; my second joy And first fruits of my body , from his presence I am barr'd , like one infectious ; my third comfort , Starr'd most unluckily , is from my breast- The innocent milk in it most ...
Inhalt
Antony and Cleopatra | 1 |
Character Studies | 13 |
Production Reviews | 42 |
Urheberrecht | |
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action aesthetic Antony and Cleopatra Antony's argues audience Autolycus become behavior body Bolingbroke Brutus Caesar character chard charisma Christian Cleo comedy comic court courtly critics crown death divine dramatic Egypt Elizabethan emotional English Enobarbus essay date fate female figure final Flint Castle Fortune Fortune's Gaunt gender Hamlet hath Henry Hermione Hermione's human identity imagery interpretation jealousy Julius Caesar king King Lear king's kingship language Leontes Leontes's London lovers loyalty Macbeth means medieval ment Merchant of Venice metaphor nature Octavius pastoral patra Paulina Perdita performance play's political Polixenes Portia production prophecy queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet royal says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean tragedy speak speare speare's speech stage suggests symbolic theatrical thou Timon tion tradition tragedy tragic truth Univ University Press Winter's Tale words York