 | Alexander Chalmers - 1816 - 538 Seiten
...earliest works equal in principle and elements of style the vigorous offsprings of his virility : Raphael we see in his cradle, we hear him stammer ; but propriety...Perugino, dry and servile in his style of design, formal and gothic in his composition, he traced what was essential, and separated it from what was... | |
 | Alexander Chalmers - 1816 - 538 Seiten
...earliest works equal in principle and elements of style the vigorous offsprings of his virility: Raphael we see in his cradle, we hear him stammer ; but propriety...Perugino, dry and servile in his style of design, formal and gothic in his composition, he traced what was essential, and separated it from what was... | |
 | 1816 - 536 Seiten
...the mind. equal in principle and elements of style the vigorous offsprings of his virility : Raphael we see in his cradle, we hear him stammer ; but propriety...Perugino, dry and servile in his style of design, formal and gothic in his composition, he traced what was essential, and separated it from what was... | |
 | Matthew Pilkington - 1829 - 632 Seiten
...earliest works equal in principle and elements of style the vigorous offspring of his virility. Raffaelle we see in his cradle, we hear him stammer, but propriety...Perugino, dry and servile in his style of design, formal in his composition, he yet traced what was essential, and separated it from the accidental in... | |
 | Henry Fuseli - 1830 - 158 Seiten
...far Mengs. M. Agnolo appears to have had no infancy; if he had, we are not acquainted with it. His earliest works are equal in principle and compass...Sanzio we see in his cradle, we hear him stammer, but proprieti/ rocked the cradle, and character formed his lips. Even in the trammels of Pietro Perugino,... | |
 | Matthew Pilkington - 1840 - 794 Seiten
...equal in principle and elements of style the vigorous offspring of his virility. Raffaelle we see m his cradle, we hear him. stammer, but propriety rocked...Perugino, dry and servile in his style of design, formal in his composition, he yet traced what was essential, and separated it from the accidental in... | |
 | 1877 - 786 Seiten
...with the man, his men are a race of giants. . . . While Michael Angelo had no infancy, Raphael Sangio we see in his cradle, we hear him stammer; but propriety...rocked the cradle, and character formed his lips. % Indeed, no one can deny that, under the hands of Da Vinci, M. Angelo, and Raphael, typical forms... | |
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Raphael we see in his cradle, we hear him stammer ; but propriety rocked the cradle, and character formed his lips. Even in the trammels of Pietro Perugino, dry and servile in his style of design, formal... 