 | SEVERAL HANDS - 1773 - 620 Seiten
...and feemed to know perfeflly the actions and gefturcs they would ufe on every occafion. • Pouiliii in the latter part of his life changed from his dry manner to one much fofter and richer, where there is a greater union between the figures and the ground, fuch as the Seven... | |
 | Sir Joshua Reynolds - 1778 - 346 Seiten
...to know perfectly the actions and geftures they would ufe on every occafion. 1 • POUSSIN t 1*1 1 POUSSIN in the latter part of his life; changed from his dry manner to one much fofter and richer, where there is a greater union between the figures and the ground, fuch as the Seven... | |
 | 1801 - 366 Seiten
...diftinguifh his ftile. In fch« latter part of his life Jbe changed from this manner into one much fofter and richer, where there is a greater union between the figures and the ground. His favorite fubje&s were ancient fables ; and no painter was ever better qualified to... | |
 | 1808 - 388 Seiten
...and chiaro-scuro, than to expression and design. In the latter part of his life he changed from this dry manner to one much softer and richer, where there is a greater union between the figures and the ground, as in the Seven Sacraments ; but neither these, nor any of his other pictures in this manner,... | |
 | 1808 - 540 Seiten
...and chiaro-scuro, than to expression and design. In the latter part of his life he changed from this dry manner to one much softer and richer, where there is a greater union between the figures and the ground, as in the Seven Sacraments ; but neither these, nor any of his other pictures in this manner,... | |
 | John Mason Good - 1813 - 904 Seiten
...ancient limplicUy ivhicU diitiu(uiehu lui »t) I*. In the latter part of bis life he changed fro« this manner to one much softer and richer; where there is a greater union between the figures and the ground. His favourite subjects were ancient fables; and no painter was ever better qualified to... | |
 | Edward Wedlake Brayley - 1815 - 918 Seiten
...simplicity which distinguishes his style. Like Polidoro, he studied the ancients so much, that he acquired a habit of thinking in their •way, and seemed to...and gestures they •would use on every occasion. " I'oussin, in the latter part of his life, : changed from his dry manner to one much softer and richer,... | |
 | John Britton - 1815 - 920 Seiten
...simplicity which distinguishes his style. Like Polidoro, he stndied the ancients so much, that he acquired a habit of thinking in their way, and seemed to know perfectly the actious and gestures they would use on every occasion. " Poussin, in the latter part of his life, changed... | |
 | John Britton, Edward Wedlake Brayley, Joseph Nightingale, James Norris Brewer, John Evans, John Hodgson, Francis Charles Laird, Frederic Shoberl, John Bigland, Thomas Rees - 1816 - 924 Seiten
...simplicity which distinguishes his style. Like Polidoro, he studied the ancients so much, that he acquired a habit of thinking in their •way, and seemed to...latter part of his life, changed from his dry manner to oue much softer and richer, where there is a greater union between the figures aud the ground, as in... | |
 | Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1821 - 624 Seiten
...simplicity which distinguishes his style. Like Polidoro, he studied the ancients so much, that he acquired a habit of thinking in their way, and seemed to know...where there is a greater •• union between the figurée and the ground, м in The Sevea t ' Sacraments in the Duke of Orleans'« collection ;* but... | |
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Like Polidoro, he studied the ancients so much, that he acquired a habit of thinking in their way, and seemed to know perfectly the actions and gestures they would use on every occasion. 
