Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 53Gale Research Company, 1984 |
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Seite 192
... becomes an act of cruelty in making his father think him dead , so Launcelot exhibits cruelty in making his father think him dead . It thus becomes plau- sible to regard the rebellious flight and cruelty of Launce- lot as enabling him ...
... becomes an act of cruelty in making his father think him dead , so Launcelot exhibits cruelty in making his father think him dead . It thus becomes plau- sible to regard the rebellious flight and cruelty of Launce- lot as enabling him ...
Seite 283
... becomes " collied " or blackened by passion [ 2.3.197 ] ; his name is " begrim'd , and black " as his face ) and ... becomes in effect Iago's faecal baby , Othello - rather than Iago - becomes the bearer of the fantasy of inner filth ...
... becomes " collied " or blackened by passion [ 2.3.197 ] ; his name is " begrim'd , and black " as his face ) and ... becomes in effect Iago's faecal baby , Othello - rather than Iago - becomes the bearer of the fantasy of inner filth ...
Seite 320
... becomes “ a cistern for foul toads / To knot and gender in " ( 4.2.61-62 ) . This dirt also becomes associated with blackness . Here too we see Othello showing more self - hatred in his imagery as his distrust of Desdemona grows . " Her ...
... becomes “ a cistern for foul toads / To knot and gender in " ( 4.2.61-62 ) . This dirt also becomes associated with blackness . Here too we see Othello showing more self - hatred in his imagery as his distrust of Desdemona grows . " Her ...
Inhalt
Race in Shakespeares Works | 1 |
Othello | 233 |
Language and Imagery | 333 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron African Antonio Antony and Cleopatra argues audience Bassanio becomes blessing Brabantio Caliban Cambridge carnal Cassio century character Christian Cleopatra colonial color comedy context critics cultural dark daughter Desdemona devil difference discourse discussion early modern economic edition Elizabethan Emilia England English essay European father figure gender human Iago Iago's identity ideology imagination Indian Irish Jacob Jessica Jewish John Kim F lago language Launcelot literary London Lorenzo male marriage means Merchant of Venice Midsummer Night's Dream Miranda miscegenation Moor murder narrative native Oberon Old Gobbo Othello Oxford play's political Portia possession prodigal Prospero race racial racism reading reference Renaissance representation role Roman scene seems sense sexual Shakespeare Quarterly Shakespeare's play Shylock slave social speech suggests symbolic Tempest thou tion Titus Titus Andronicus tradition tragedy University Press usurer usury Venetian William Shakespeare woman women words York