Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 53Gale Research Company, 1984 |
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Seite 202
... possession is also associated with paternity , and paternity as carnally defined . For in calling Jacob " the third possessor , " Shylock is obliquely referring possession to the three patriarchs of Israel , of whom Abraham and Isaac ...
... possession is also associated with paternity , and paternity as carnally defined . For in calling Jacob " the third possessor , " Shylock is obliquely referring possession to the three patriarchs of Israel , of whom Abraham and Isaac ...
Seite 203
... possession she absconds with as stolen . But if Jessica repudiates her biological daughterhood to Shylock , Antonio repudiates his spiritual sonhood to Shylock . Thus if Jessica's repudiation constitutes her possession as sto- len , may ...
... possession she absconds with as stolen . But if Jessica repudiates her biological daughterhood to Shylock , Antonio repudiates his spiritual sonhood to Shylock . Thus if Jessica's repudiation constitutes her possession as sto- len , may ...
Seite 329
... possession equivalent to his money . Let us note , too , that so far as the play is concerned Desdemona might have no mother . She is represented as wholly her father's possession , and the principal question concerning her at the ...
... possession equivalent to his money . Let us note , too , that so far as the play is concerned Desdemona might have no mother . She is represented as wholly her father's possession , and the principal question concerning her at the ...
Inhalt
Race in Shakespeares Works | 1 |
Othello | 233 |
Language and Imagery | 333 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron African Antonio Antony and Cleopatra argues audience Bassanio becomes blessing Brabantio Caliban Cambridge carnal Cassio century character Christian Cleopatra colonial color comedy context critics cultural dark daughter Desdemona devil difference discourse discussion early modern economic edition Elizabethan Emilia England English essay European father figure gender human Iago Iago's identity ideology imagination Indian Irish Jacob Jessica Jewish John Kim F lago language Launcelot literary London Lorenzo male marriage means Merchant of Venice Midsummer Night's Dream Miranda miscegenation Moor murder narrative native Oberon Old Gobbo Othello Oxford play's political Portia possession prodigal Prospero race racial racism reading reference Renaissance representation role Roman scene seems sense sexual Shakespeare Quarterly Shakespeare's play Shylock slave social speech suggests symbolic Tempest thou tion Titus Titus Andronicus tradition tragedy University Press usurer usury Venetian William Shakespeare woman women words York