Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 53Gale Research Company, 1984 |
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Seite 192
... reference to this story in II.vi , a reference apparently directed at Jessica in immediately preceding the elopement that makes her a Christian . Might the Prodigal Son be the identity we are seeking ? It seems probable . For , as we ...
... reference to this story in II.vi , a reference apparently directed at Jessica in immediately preceding the elopement that makes her a Christian . Might the Prodigal Son be the identity we are seeking ? It seems probable . For , as we ...
Seite 212
... reference to Cressida suggests that he is not unaware of that possibility . He may one day be to Jessica as Troilus is to Cressida , or as Gratiano's prodigal ship is to the " strum- pet wind " -not just a disappointed husband but also ...
... reference to Cressida suggests that he is not unaware of that possibility . He may one day be to Jessica as Troilus is to Cressida , or as Gratiano's prodigal ship is to the " strum- pet wind " -not just a disappointed husband but also ...
Seite 349
... reference to ' light - wing'd toys ' ( I.iii.268 ) ; his warning to his quarrelling officers that whoever commits any further act of aggression ' Holds his soul light ' ( II.iii.165 ) ; Cassio's disparagement of himself as ' so light ...
... reference to ' light - wing'd toys ' ( I.iii.268 ) ; his warning to his quarrelling officers that whoever commits any further act of aggression ' Holds his soul light ' ( II.iii.165 ) ; Cassio's disparagement of himself as ' so light ...
Inhalt
Race in Shakespeares Works | 1 |
Othello | 233 |
Language and Imagery | 333 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron African Antonio Antony and Cleopatra argues audience Bassanio becomes blessing Brabantio Caliban Cambridge carnal Cassio century character Christian Cleopatra colonial color comedy context critics cultural dark daughter Desdemona devil difference discourse discussion early modern economic edition Elizabethan Emilia England English essay European father figure gender human Iago Iago's identity ideology imagination Indian Irish Jacob Jessica Jewish John Kim F lago language Launcelot literary London Lorenzo male marriage means Merchant of Venice Midsummer Night's Dream Miranda miscegenation Moor murder narrative native Oberon Old Gobbo Othello Oxford play's political Portia possession prodigal Prospero race racial racism reading reference Renaissance representation role Roman scene seems sense sexual Shakespeare Quarterly Shakespeare's play Shylock slave social speech suggests symbolic Tempest thou tion Titus Titus Andronicus tradition tragedy University Press usurer usury Venetian William Shakespeare woman women words York