Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16.09.2022 - 183 Seiten In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... Artistic Improvement of Theatrical Organisation in England IV. Indications of a Demand for a Municipal Theatre The Teaching of Foreign Experience. The Example of Vienna VI. The Conditions of Success in England Mr Benson as a Trainer of ...
... Artistic Improvement of Theatrical Organisation in England IV. Indications of a Demand for a Municipal Theatre The Teaching of Foreign Experience. The Example of Vienna VI. The Conditions of Success in England Mr Benson as a Trainer of ...
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... artistic sentiment and a higher histrionic capacity than Charles Kean possessed. Yet Irving announced, not long before his death, that he lost on his Shakespearean productions a hundred thousand pounds. Sir Henry added: The enormous ...
... artistic sentiment and a higher histrionic capacity than Charles Kean possessed. Yet Irving announced, not long before his death, that he lost on his Shakespearean productions a hundred thousand pounds. Sir Henry added: The enormous ...
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... artistic sense is ultimately truer than our own. The mode of producing Shakespeare on the stage in Germany supplies an argument to the same effect. In Berlin and Vienna, and in all the chief towns of German-speaking Europe ...
... artistic sense is ultimately truer than our own. The mode of producing Shakespeare on the stage in Germany supplies an argument to the same effect. In Berlin and Vienna, and in all the chief towns of German-speaking Europe ...
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... artistic genius in the world and all the treasure in the Bank of England were placed at the command of a theatrical manager in order to enable him to produce a great play on his stage supremely well from his own scenic point of view ...
... artistic genius in the world and all the treasure in the Bank of England were placed at the command of a theatrical manager in order to enable him to produce a great play on his stage supremely well from his own scenic point of view ...
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... artistic point of view—which is the only point of view worthy of discussion—when the just dramatic illusion is produced by simple and unpretending scenic appliances, in which the inevitable "imperfections" are frankly left to be ...
... artistic point of view—which is the only point of view worthy of discussion—when the just dramatic illusion is produced by simple and unpretending scenic appliances, in which the inevitable "imperfections" are frankly left to be ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote