Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16.09.2022 - 183 Seiten In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... dramatist and for the spectator. However unwittingly, he tends to misrepresent the one, and to mislead the other, in a particular of first-rate importance. Indeed, excess in scenic display does worse than restrict opportunities of ...
... dramatist and for the spectator. However unwittingly, he tends to misrepresent the one, and to mislead the other, in a particular of first-rate importance. Indeed, excess in scenic display does worse than restrict opportunities of ...
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... dramatist due recognition, even if it leave histrionic incompetence no hope of escape from the scorn that befits it. It is on the aspiration and sentiment of the acting profession that must largely depend the final answer to the ...
... dramatist due recognition, even if it leave histrionic incompetence no hope of escape from the scorn that befits it. It is on the aspiration and sentiment of the acting profession that must largely depend the final answer to the ...
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... dramatist reminds us that the literal presentation of life itself, in all its movement and action, lies outside the range of the stage, especially the movement and action of life in its most glorious manifestations. Obvious conditions ...
... dramatist reminds us that the literal presentation of life itself, in all its movement and action, lies outside the range of the stage, especially the movement and action of life in its most glorious manifestations. Obvious conditions ...
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... dramatist bids us bear in mind that his lines do no more than suggest the things he would have the audience see and understand; the actors aid the suggestion according to their ability. But the crucial point of the utterance is the ...
... dramatist bids us bear in mind that his lines do no more than suggest the things he would have the audience see and understand; the actors aid the suggestion according to their ability. But the crucial point of the utterance is the ...
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... dramatist by the circumstance of his calling appeals as soon as the play is written to the playgoer for a sympathetic appreciation. Nature impelled Shakespeare to note on the pages of his journal his impression of the sentiment with ...
... dramatist by the circumstance of his calling appeals as soon as the play is written to the playgoer for a sympathetic appreciation. Nature impelled Shakespeare to note on the pages of his journal his impression of the sentiment with ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote