Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16.09.2022 - 183 Seiten In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... hand. Anything that aims at doing more than satisfy the condition essential to the effective suggestion of the scenic environment of Shakespearean drama is, from the literary and logical points of view, "wasteful and ridiculous.
... hand. Anything that aims at doing more than satisfy the condition essential to the effective suggestion of the scenic environment of Shakespearean drama is, from the literary and logical points of view, "wasteful and ridiculous.
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... hand, supporters of the existing system allege that no public, which is worth the counting, would interest itself in Shakespeare's plays, if they were robbed of scenic upholstery and spectacular display. This estimate rests on insecure ...
... hand, supporters of the existing system allege that no public, which is worth the counting, would interest itself in Shakespeare's plays, if they were robbed of scenic upholstery and spectacular display. This estimate rests on insecure ...
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... of remedying them. On the other hand, acting can rise in opposite conditions into the noblest of the arts. The great actor relies for genuine success on no mere gesticulatory mechanism. Imaginative insight, passion, the.
... of remedying them. On the other hand, acting can rise in opposite conditions into the noblest of the arts. The great actor relies for genuine success on no mere gesticulatory mechanism. Imaginative insight, passion, the.
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... hand and head. I picture Shakespeare as the soul of modesty and gentleness in the social relations of life, avoiding unbecoming self-advertisement, and rating at its just value empty flattery, the mere adulation of the lips. Gushing ...
... hand and head. I picture Shakespeare as the soul of modesty and gentleness in the social relations of life, avoiding unbecoming self-advertisement, and rating at its just value empty flattery, the mere adulation of the lips. Gushing ...
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... hand on the revision of an old play, and the manager was not slow to recognise an unmatched gift for dramatic writing. It was not probably till 1591, when Shakespeare was twenty-seven, that his earliest original play, Love's Labour's ...
... hand on the revision of an old play, and the manager was not slow to recognise an unmatched gift for dramatic writing. It was not probably till 1591, when Shakespeare was twenty-seven, that his earliest original play, Love's Labour's ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote