Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16.09.2022 - 183 Seiten In 'Shakespeare and the Modern Stage; with Other Essays,' Sidney Sir Lee articulates a persuasive examination of the Bard's enduring influence on contemporary theatre. The text delves into the transformation of Shakespeare's work over the centuries and how it resonates with audiences and artists alike in the modern era. Lee's prose is erudite and engaging, blending historical analysis with literary criticism. By situating Shakespeare within the broader context of evolving performance conventions and audience expectations, Lee crafts a study that is at once a scholarly contemplation and a lively discourse on the dialogue between past and present theatrical mores. Sir Lee's own scholarly background significantly informs his writing; his expertise as a Shakespearean academic is evident throughout the essays. His insights are informed not only by a deep-seated understanding of Elizabethan drama but also by an astute awareness of the cultural and societal shifts that influence theatrical interpretation. Lee's oeuvre reflects comprehensive research and an impassioned engagement with Shakespeare's texts, making clear why they remain pivotal to the study of literature and drama. 'To both the seasoned Shakespearean scholar and the enthusiastic newcomer, Sidney Sir Lee's work offers a resplendent exploration of the timeless allure and adaptability of Shakespeare's oeuvre. Readers seeking a nuanced perspective on how classic works are perpetually reinvented will find Lee's collection of essays an invaluable resource. This edition, careful in its republication to honor the integrity of Lee's original vision, invites one to a deeper appreciation of the complexities inherent in staging the works of the Bard in the ever-evolving landscape of modern theatre. |
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... mind that his vision also has its limitations, and that student, actor, and spectator of Shakespeare's plays are all alike exploring a measureless region of philosophy and poetry, "round which no comprehension has yet drawn the line of ...
... mind that his vision also has its limitations, and that student, actor, and spectator of Shakespeare's plays are all alike exploring a measureless region of philosophy and poetry, "round which no comprehension has yet drawn the line of ...
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... minds. Unostentatious mounting of the Shakespearean plays, however efficient be the acting with which it is associated, may always fail to "please the million"; it may be "caviare to the general." Nevertheless, the sagacious manager ...
... minds. Unostentatious mounting of the Shakespearean plays, however efficient be the acting with which it is associated, may always fail to "please the million"; it may be "caviare to the general." Nevertheless, the sagacious manager ...
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... mind that his lines do no more than suggest the things he would have the audience see and understand; the actors aid the suggestion according to their ability. But the crucial point of the utterance is the warning that the illusion of ...
... mind that his lines do no more than suggest the things he would have the audience see and understand; the actors aid the suggestion according to their ability. But the crucial point of the utterance is the warning that the illusion of ...
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... mind that he was a pioneer—almost the creator or first designer—of English drama, as well as the practised workman in unmatched perfection. There were before his day some efforts made at dramatic representation. The Middle Ages had ...
... mind that he was a pioneer—almost the creator or first designer—of English drama, as well as the practised workman in unmatched perfection. There were before his day some efforts made at dramatic representation. The Middle Ages had ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote