Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16.09.2022 - 183 Seiten In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... wrote in an unassuming address, "of eventually rendering Sadler's Wells what a theatre ought to be—a place for justly representing the works of our great dramatic poets." This hope they went far to realise. The first play that they ...
... wrote in an unassuming address, "of eventually rendering Sadler's Wells what a theatre ought to be—a place for justly representing the works of our great dramatic poets." This hope they went far to realise. The first play that they ...
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... wrote to Lady Pollock on the 1st of May 1859, rendered the spoken text "more like a running commentary on the spectacles exhibited than the scenic arrangements an illustration of the text." No criticism could define more convincingly ...
... wrote to Lady Pollock on the 1st of May 1859, rendered the spoken text "more like a running commentary on the spectacles exhibited than the scenic arrangements an illustration of the text." No criticism could define more convincingly ...
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... wrote two of his professional associates of the reception of the whole series in the playhouse in his lifetime—"These plays have had their trial already, and stood out all appeals." Matthew Arnold, apparently quite unconsciously, echoed ...
... wrote two of his professional associates of the reception of the whole series in the playhouse in his lifetime—"These plays have had their trial already, and stood out all appeals." Matthew Arnold, apparently quite unconsciously, echoed ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote