Looking at Shakespeare: A Visual History of Twentieth-Century PerformanceCambridge University Press, 20.12.2001 - 408 Seiten Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated. |
Im Buch
Ergebnisse 1-5 von 46
Seite xii
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite xvi
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite xvii
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite xix
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite xx
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Inhalt
Visual criticism | 4 |
Scenography and performance | 12 |
Victorian pictures 25 3 2 255 | 25 |
The scenographic revolution | 43 |
Styles of politics | 80 |
Henry V 1969 Stratford Connecticut The French army | 109 |
The stuffed stag and the new look | 120 |
Reinventing the stage | 152 |
Hamlet 1978 Washington Lees sewers of Elsinore | 237 |
The Winters Tale 1969 Stratford The nursery in white | 243 |
Much Ado about Nothing 1976 Stratford John Napiers | 251 |
As You Like It 1977 Berlin The court in Peter Steins | 261 |
Imaging Shakespeare | 266 |
Othello 1976 Hamburg A bikini for Othellos arrival | 268 |
Centurys close | 312 |
Table of productions | 358 |
The liberation of Europe | 188 |
New spaces new audiences | 227 |
King John 1967 New York High scaffolding before a lake | 231 |
Notes | 366 |
389 | |
Andere Ausgaben - Alle anzeigen
Looking at Shakespeare: A Visual History of Twentieth-Century Performance Dennis Kennedy Keine Leseprobe verfügbar - 2001 |
Häufige Begriffe und Wortgruppen
acting actors architectural artistic audience became Berlin Brecht Brechtian Bridges-Adams Cambridge century characters Ciulei classic color pl contemporary Coriolanus costumes Craig critics cultural curtain director drama dress effect Elizabethan English Europe film floor German Granville Barker Guthrie Hamlet Henry Hortmann illus Japanese Jessner John Barton Julius Caesar King Lear Komisarjevsky Kott light London Macbeth Measure for Measure metaphoric method Michael Midsummer Night's Dream Mnouchkine modern Moiseiwitsch Neher Ninagawa Old Vic Ontario open stage Paris performance Peter Brook Peter Hall Peter Zadek photographs pictorial Planchon platform Poel political postmodern Prague proscenium Prospero rehearsal Reinhardt relied Richard Richard III Roger Planchon Romeo and Juliet RSC at RST scene scenic scenography seemed Shakespeare productions signified space spectators Stratford Strehler style Tempest theatrical Tokyo traditions Trevor Nunn Troilus Twelfth Night unit set upstage visual walls Winter's Tale wrote York Yukio Ninagawa