Shakespeare's Changing Use of Psychological Reference in His Comedies

Achilles action All's Angelo Antonio appetite argues Bassanio behavior believes Bertram blood Bullough Camillo casket characters Christian Claudio Comedy of Errors complicated confusion contrasts Countess create crimes Cymbeline describes Dramatic Sources Duke Elizabethan emotions Ends ethical evil explain faculty psychology final Florizel fool Gentlemen of Verona golden Greek happiness hath hatred Hector Helena Hermione hierarchical honor Hooker human humour imagination innocence interpretation Isabella jealousy judgment justice King Lafeu language later comedies Leontes Love's Labour's Lost lovers madness Malvolio man's Measure for Measure medieval melancholy Merchant of Venice mercy Minde in Generall motive Narrative and Dramatic nature Olivia Orsino parallel Parolles pastoral Perdita plot Polixenes Portia portrayed Posthumus promise protagonists Proteus rational reason recognizes renaissance repentance role romance scene sense Shakespeare Shakespeare's play Shakespearean comedy Shylock sins soul thou Troilus and Cressida Trojan Twelfth Night villains Viola virtue warns wife Winter's Tale wisdom