The Witlings and The Woman-Hater

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Broadview Press, 19.09.2002 - 329 Seiten

This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be traced back to Molière; they both centre on the misfortunes of the “elle” figure, the dispossessed heiress and wife who appears frequently in Burney’s fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond.

This edition contains a valuable selection of appendices, including: Burney’s “Epilogue to Gerilda”; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.

 

Ausgewählte Seiten

Inhalt

Acknowledgements
7
Short Titles
8
Introduction
9
A Brief Chronology
36
A Note on the Text
40
The Witlings 177880
43
The WomanHater 180002
173
Burneys Earliest Theatrical Writing Epilogue to Gerilda
291
Contemporary Letters and Diary Entries on The Witlings
294
Burney and Molière
309
Contemporary Critical Essays on Laughing and Sentimental Comedy
316
Literary Allusions in The Witlings and The WomanHater
319
Burneys CastList for The WomanHater
322
Similarities between The Witlings The WomanHater and Burneys Novels
324
Select Bibliography
327
Urheberrecht

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Autoren-Profil (2002)

Peter Sabor is a professor at McGill University.

Geoffrey Sill is a professor at Rutgers University.

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