Essays by Divers HandsOxford University Press, 1965 |
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Seite 106
... French symbolists , who chose - as you remember their symbols arbitrarily to stand for special ideas a sort of disguise of these ideas . For what was so special , so fleeting , and so vague could not , they believed , be conveyed by ...
... French symbolists , who chose - as you remember their symbols arbitrarily to stand for special ideas a sort of disguise of these ideas . For what was so special , so fleeting , and so vague could not , they believed , be conveyed by ...
Seite 107
... French Symbolism . The poet's experimentation with musical effects reached its highest point in the Discourse of Love ( ' Epwτikos Дoyos ) , the most important poem of The Turning Point , indeed of his whole early period . Discourse of ...
... French Symbolism . The poet's experimentation with musical effects reached its highest point in the Discourse of Love ( ' Epwτikos Дoyos ) , the most important poem of The Turning Point , indeed of his whole early period . Discourse of ...
Seite 136
... French philosopher Jules de Gaultier , and he has crystallized it in the name Bovarysm , which means , seeing oneself other than one is . All Flaubert's major creations suffer from this disease , even Charles Bovary , and it is ...
... French philosopher Jules de Gaultier , and he has crystallized it in the name Bovarysm , which means , seeing oneself other than one is . All Flaubert's major creations suffer from this disease , even Charles Bovary , and it is ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young