Essays by Divers HandsOxford University Press, 1965 |
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Seite 27
... begin to feel deeply sick at the parade of our own self - the self so unfinished and ragged , and yet so persistently wanting to present itself as interesting . We have to fight this as hard as possible ; and it is bound to be a hard ...
... begin to feel deeply sick at the parade of our own self - the self so unfinished and ragged , and yet so persistently wanting to present itself as interesting . We have to fight this as hard as possible ; and it is bound to be a hard ...
Seite 58
... begin with the first para- graph of my first chapter , usually writing in unlined notebooks . I work away , slowly crawling on hour by hour , day by day , and month by month until the book is finished . Very little revision and ...
... begin with the first para- graph of my first chapter , usually writing in unlined notebooks . I work away , slowly crawling on hour by hour , day by day , and month by month until the book is finished . Very little revision and ...
Seite 60
... begin ? Is its genesis a deliberate act of consciousness , or does it spring by chance out of the soil of the writer's mind ? There is no direct answer to those questions . I wish there were , I wish it were possible to say " Tomorrow I ...
... begin ? Is its genesis a deliberate act of consciousness , or does it spring by chance out of the soil of the writer's mind ? There is no direct answer to those questions . I wish there were , I wish it were possible to say " Tomorrow I ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young