Essays by Divers HandsOxford University Press, 1965 |
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Seite 53
... believe and don't believe ; or perhaps it is better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to ...
... believe and don't believe ; or perhaps it is better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to ...
Seite 135
... believe myself that he would have broken with her much sooner if he had not needed her substance for Emma Bovary . Although she is responsible for a great deal of the shoddiness in his heroine , it is she also who gives her warmth and ...
... believe myself that he would have broken with her much sooner if he had not needed her substance for Emma Bovary . Although she is responsible for a great deal of the shoddiness in his heroine , it is she also who gives her warmth and ...
Seite 136
... believe that most of the ills of humanity came from man's imperfect knowledge of himself . He realized the dangers of romanticism for he had experienced its evils in himself , and knew well what it was to live the dream and to sacrifice ...
... believe that most of the ills of humanity came from man's imperfect knowledge of himself . He realized the dangers of romanticism for he had experienced its evils in himself , and knew well what it was to live the dream and to sacrifice ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young