Essays by Divers HandsOxford University Press, 1965 |
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... method of work , and on Shakespeare at his desk , attempt an exposure of the actual , the mechanical processes by which the writer drags down this intangible stuff out of the air of everyday life , to make a myth , to refurbish a ...
... method of work , and on Shakespeare at his desk , attempt an exposure of the actual , the mechanical processes by which the writer drags down this intangible stuff out of the air of everyday life , to make a myth , to refurbish a ...
Seite 1
... method was imitation , then poetry , in so far as it still rests upon imitation and animism , must seem a very ... method of the scientist and the method of the poet - between the ways their minds work , particularly at one crucial stage ...
... method was imitation , then poetry , in so far as it still rests upon imitation and animism , must seem a very ... method of the scientist and the method of the poet - between the ways their minds work , particularly at one crucial stage ...
Seite 58
... method is flat - footed in comparison . I begin with the first para- graph of my first chapter , usually writing in unlined notebooks . I work away , slowly crawling on hour by hour , day by day , and month by month until the book is ...
... method is flat - footed in comparison . I begin with the first para- graph of my first chapter , usually writing in unlined notebooks . I work away , slowly crawling on hour by hour , day by day , and month by month until the book is ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young