Essays by Divers HandsOxford University Press, 1965 |
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Seite 93
... never was such a ghastly farce . Before leaving the lectures I must indulge myself with a quo- tation from The Second Funeral of Napoleon , which shows Thackeray's views about the popular history of his day . ' As we can't be virtuous ...
... never was such a ghastly farce . Before leaving the lectures I must indulge myself with a quo- tation from The Second Funeral of Napoleon , which shows Thackeray's views about the popular history of his day . ' As we can't be virtuous ...
Seite 123
... never allow the book even to be illustrated . ' Moi vivant ' , he used to say , ' on ne m'illustrera jamais ' , and he kept firmly to that resolve , never allowing any of his books to be illustrated . He used to say that a woman in a ...
... never allow the book even to be illustrated . ' Moi vivant ' , he used to say , ' on ne m'illustrera jamais ' , and he kept firmly to that resolve , never allowing any of his books to be illustrated . He used to say that a woman in a ...
Seite 156
... never more mistaken . Calm your expectations . . . . Something real , cool , and solid , lies before you ; something ... never shows as merely feeble , esoteric , or contorted , and though York- shire fiction is sparing of purple ...
... never more mistaken . Calm your expectations . . . . Something real , cool , and solid , lies before you ; something ... never shows as merely feeble , esoteric , or contorted , and though York- shire fiction is sparing of purple ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young