Essays by Divers HandsOxford University Press, 1965 |
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Seite 27
... present itself as interesting . We have to fight this as hard as possible ; and it is bound to be a hard fight . Not much of great value will come if we do not take these risks ; but - we should recognize more than we commonly do ...
... present itself as interesting . We have to fight this as hard as possible ; and it is bound to be a hard fight . Not much of great value will come if we do not take these risks ; but - we should recognize more than we commonly do ...
Seite 58
... present in paragraphic form . Frankly , I cannot understand my friend's method of work , what I would call the Henry Jamesian or tentative method , in which verbal experiment is tried again and again , to be re- jected or accepted ...
... present in paragraphic form . Frankly , I cannot understand my friend's method of work , what I would call the Henry Jamesian or tentative method , in which verbal experiment is tried again and again , to be re- jected or accepted ...
Seite 68
... presents life by concrete example , by creating through the imagination of the poet such people , places and events as shall ... present anything concrete . On the contrary , it analyses and discusses and comes to 68 HOW A NOVELIST WORKS.
... presents life by concrete example , by creating through the imagination of the poet such people , places and events as shall ... present anything concrete . On the contrary , it analyses and discusses and comes to 68 HOW A NOVELIST WORKS.
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young