Essays by Divers HandsOxford University Press, 1965 |
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Seite 26
... sure whether I did right . Perhaps , even in a discursive work , one should not so much bother with all this questioning and cross - questioning . Perhaps a good writer will impose his vision , his integrity , his compassion on his ...
... sure whether I did right . Perhaps , even in a discursive work , one should not so much bother with all this questioning and cross - questioning . Perhaps a good writer will impose his vision , his integrity , his compassion on his ...
Seite 27
... sure of assumptions shared with our readers . The major nineteenth - century autobiographies often have a splendid assurance : but these tones are unavailable to us . Here is yet another reason why so many autobiographers are tempted to ...
... sure of assumptions shared with our readers . The major nineteenth - century autobiographies often have a splendid assurance : but these tones are unavailable to us . Here is yet another reason why so many autobiographers are tempted to ...
Seite 89
... sure how much of his adventures are true , how much mere invention , while the story is too long - drawn - out to maintain its interest as an un- conscious self - revelation of the crook's character . Though Thackeray owed much to ...
... sure how much of his adventures are true , how much mere invention , while the story is too long - drawn - out to maintain its interest as an un- conscious self - revelation of the crook's character . Though Thackeray owed much to ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young