Essays by Divers HandsOxford University Press, 1965 |
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Seite 31
... turned into a bedroom by thrusting four squalid beds in among this wreckage . It is obvious that , except as a first protection against some of the simpler forms of stylistic self - deception , we do not want to be ' neutral ' . We ...
... turned into a bedroom by thrusting four squalid beds in among this wreckage . It is obvious that , except as a first protection against some of the simpler forms of stylistic self - deception , we do not want to be ' neutral ' . We ...
Seite 55
... turned in the wrong direction , relating each of the two worlds indepen- dently to us rather than relating them first to each other before presenting to us a complex and richly suggestive patterning of experience . It is an interesting ...
... turned in the wrong direction , relating each of the two worlds indepen- dently to us rather than relating them first to each other before presenting to us a complex and richly suggestive patterning of experience . It is an interesting ...
Seite 125
... turned over the problem in his mind and planned to rent a small farm near enough to keep an eye on it as he went about his rounds . He would save and the child would grow up beautiful , she would resemble her mother and people would say ...
... turned over the problem in his mind and planned to rent a small farm near enough to keep an eye on it as he went about his rounds . He would save and the child would grow up beautiful , she would resemble her mother and people would say ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young