Essays by Divers HandsOxford University Press, 1965 |
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Seite 18
... writers , so as to lead into a discussion of characteristic weaknesses in autobiography today , and of some larger problems in writing autobiography . No doubt genius will always find its own way . Just as cer- tainly the general ...
... writers , so as to lead into a discussion of characteristic weaknesses in autobiography today , and of some larger problems in writing autobiography . No doubt genius will always find its own way . Just as cer- tainly the general ...
Seite 29
... writing ; the writer is anxious not to take any emotional tricks in de- scribing a scene which must have tempted him to a great number of such tricks . On the other hand the writing is without charac- ter ; I do not believe this is how ...
... writing ; the writer is anxious not to take any emotional tricks in de- scribing a scene which must have tempted him to a great number of such tricks . On the other hand the writing is without charac- ter ; I do not believe this is how ...
Seite 38
... writing , into second - hand ' give - away ' rhythms and sentiments or equally second - hand vicarious toughness . Or even into the deadpan laconic , which is an inhibiting insurance policy against most of the other errors . And that ...
... writing , into second - hand ' give - away ' rhythms and sentiments or equally second - hand vicarious toughness . Or even into the deadpan laconic , which is an inhibiting insurance policy against most of the other errors . And that ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young