The Plays of William Shakspeare: With the Corrections and Illustrations of Various Commentators, to which are Added Notes, Band 1J. Johnson, 1803 |
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Seite iv
... truth attefted , with delight intense , " The ferious charms of his colloquial fenfe ! " His genius , that to wild luxuriance fwell'd , " His large , yet latent , charity excell'd : " Want with fuch true beneficence he chear'd , " All ...
... truth attefted , with delight intense , " The ferious charms of his colloquial fenfe ! " His genius , that to wild luxuriance fwell'd , " His large , yet latent , charity excell'd : " Want with fuch true beneficence he chear'd , " All ...
Seite 17
... truth is , that the firft point of objection to this unexpected Portrait was foon overpowered by a general fuffrage in its favour . A fecond attack was therefore hazarded , and has yet more lamentably failed . As a further note of the ...
... truth is , that the firft point of objection to this unexpected Portrait was foon overpowered by a general fuffrage in its favour . A fecond attack was therefore hazarded , and has yet more lamentably failed . As a further note of the ...
Seite 20
... truth , ) be- * This mistake originated from a paffage in Lord Orford's Anec- dotes , & c . 8vo . Vol . V. p . 258 , where it is faid , and truly , that Vertue's Set of Poets appeared in 1730. The particular plate of Shakspeare ...
... truth , ) be- * This mistake originated from a paffage in Lord Orford's Anec- dotes , & c . 8vo . Vol . V. p . 258 , where it is faid , and truly , that Vertue's Set of Poets appeared in 1730. The particular plate of Shakspeare ...
Seite 24
... truth obliges us to confefs that they are all unlike each other , and convey no diftinct resemblance of the 5 Such , we think , were the remarks , that occurred to us fe veral years ago , when this portrait was acceffible . We wished ...
... truth obliges us to confefs that they are all unlike each other , and convey no diftinct resemblance of the 5 Such , we think , were the remarks , that occurred to us fe veral years ago , when this portrait was acceffible . We wished ...
Seite 31
... this occafion that he imitated Ronfard ; and it must be confeffed , with equal truth , that in the prefent inftance Ronfard had been a borrower from Anacreon . 44 every editor in his turn is occafionally entitled to be ADVERTISEMENT . 31.
... this occafion that he imitated Ronfard ; and it must be confeffed , with equal truth , that in the prefent inftance Ronfard had been a borrower from Anacreon . 44 every editor in his turn is occafionally entitled to be ADVERTISEMENT . 31.
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againſt alfo almoſt alſo ancient appears baptized becauſe beſt buried cenfure circumftance comedy copies criticiſm criticks daughter defign dramatick edition editor Elizabeth Engliſh faid fame fatire fays fecond folio feems fenfe feven feveral fhall fhould fhow fince firft firſt fome fometimes ftage ftand ftill fubject fuch fufficient fuppofe fure Hamlet hath Henry Henry VI hiftory himſelf houſe huſband iffue impreffion inftance inftead John John Barnard Jonfon juft King laft laſt leaft leaſt lefs loft MALONE moft moſt muft muſt Naſh neceffary obfcure obferved occafion paffages perfon players plays pleaſe pleaſure poet poet's Pope portrait praiſe prefent preferved printed profe publick publiſhed purpoſe quarto reader reafon refpect Regifter Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſhall ſome ſtate STEEVENS Stratford Stratford-upon-Avon thefe themſelves theſe thofe Thomas Thomas Quiney thoſe thought tion Titus Andronicus tragedy uſe Welcombe whofe whoſe William writer
Beliebte Passagen
Seite 480 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Seite 249 - In the writings of other poets a character is too often an individual ; in those of Shakespeare it is commonly a species.
Seite 305 - I have always suspected that the reading is right, which requires many words to prove it wrong ; and the emendation wrong, that cannot without so much labour appear to be right.
Seite 265 - A quibble is to Shakespeare what luminous vapours are to the traveller : he follows it at all adventures ; it is sure to lead him out of his way, and sure to engulf him in the mire.
Seite 251 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Seite 282 - ... whether from all his successors more maxims of theoretical knowledge, or more rules of practical prudence, can be collected, than he alone has given to his country.
Seite 257 - Fiction cannot move so much, but that the attention may be easily transferred ; and though it must be allowed that pleasing melancholy be sometimes interrupted by unwelcome levity, yet let it be considered likewise, that melancholy is often not pleasing, and that the disturbance of one man may be the relief of another ; that different auditors have different habitudes ; and that, upon the whole, all pleasure consists in variety.
Seite 248 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest ; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Seite 250 - To bring a lover, a lady, and a rival into the fable; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture and part in agony; to fill their mouths with hyperbolical joy and outrageous sorrow; to distress them as nothing...
Seite 248 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.