he found them to be officers from the revolutionary tribunal come to arrest his daughter and her husband, who had formerly been president of the parliament of Paris. The separation of these persons from his family was deeply afflicting to his heart, and it is probable that his own arrest shortly after was a relief to his feelings. He had long been esteemed as father of the village in which he lived, and the rustic inhabitants crowded round to take leave of their ancient benefactor with tears and benedictions. Four of the municipality accompanied him to Paris, that he might not be escorted by soldiers like a criminal. He was shut up in prison with his unfortunate family; and in a few days the guillotine separated his son-in-law Lepelletier from his wife; and the accusation of Malesherbes with his daughter and grand-daughter, "for a conspiracy against the liberties of the people," was followed, as a matter of course, by a sentence of death. The real crime, as it was basely denominated, of this excellent man and worthy patriot, and which the convention never pardoned, was his defence of the king, an act in which he gloried to the latest hour of his existence. He probably thought it an honour to die by the same ruffian hands that had spilt the blood of his master. The condemnation of the females almost overcame the manly fortitude which he displayed in every personal suffering; his courage, however, returned at the prison, and they prepared for the death which was the last and only important event that they had to encounter. His daughter had exhibited the noble spirit with which she was inspired, for upon taking leave of mademoiselle Sombreuil, who had saved her father's life on the second of September, she said to her, "You have had the happiness to preserve your father, I shall have the consolation of dying with mine." On the fatal day Malesherbes left the prison with a serene countenance, and happening to stumble against a stone, he said with much pleasantry," a Roman would have thought this an unlucky omen, and walked back again." Thus perished the venerable Malesherbes in April 1794, when he had attained to the age of seventy-two years four months and fifteen days. His character may be in part deduced from the preceding narrative, but is more fully displayed in his life translated by Mr. Mangin. The subsequent government has since made some reparation for the injustice done him, by ordering his bust to be placed

among those of the great men who have reflected honour upon their country. '

1

MALEZIEU (NICOLAS DE), a French author, a man of extensive and almost universal learning, was born at Paris in 1650. By Bossuet, and the duke of Montausier, who knew his merit, he was appointed preceptor to the duke of Maine; and the public in general approved the choice. In 1696 Malezieu was chosen to instruct the duke of Burgundy in mathematics. In 1699 he became a member of the academy of sciences, and in two years after of the French academy. The duke of Maine rewarded his care of him by appointing him the chief of his council, and chancellor of Dombes. Under the regency of the duke of Orleans he was involved in the disgrace which fell upon the duke his pupil, and was imprisoned for two years. He had an excellent constitution, which, aided by regularity, conducted him nearly to the close of life without any indisposition. He died of an apoplexy on March 4, 1727, at the age of seventy-seven. Notwithstanding the vast extent of his learning, and many occupations which required great attention, he had an easy and unembarrassed air; his conversation was lively and agreeable, and his manners polite and attentive. He published, 1. "Elements of Geometry, for the duke of Burgundy," 1715, 8vo, being the substance of the instructions delivered by him to that prince. 2. Several pieces in verse, songs, &c. published at Trevoux about 1712. 3. There has also been attributed to him a farce in one act, entitled, "Polichinelle demandant une place à l'Academie.". He had, among other talents, that of translating the Greek authors into French, particularly the tragic writers, in a style of harmony and energy of verse, which approached as nearly, perhaps, as any thing in his language could do, to the excellence of the originals."

MALHERBE (FRANCIS DE), a celebrated French poet, has always been considered by his countrymen as the father of their poetry; since, upon his appearance, all their former poets fell into disgrace. Bayle looks upon him as one of the first and greatest masters, who formed the taste and judgment of that nation in matters relating to polite literature. Balzac says, that the French poetry before

1 Life translated by Mr. Mangin.-Gleig's Supplement to the Encyclop. Brit. -Rees's Cyclopædia. 2 Moreri.-Dict. Hist.

Malherbe was perfectly gothic; but Boileau, a better judge, has pronounced that he was the first in France who taught the muse harmonious numbers, a just cadence, purity of language, regularity of composition, and order; in short, who laid down all those rules for writing which future poets were to follow, if they hoped to succeed. The poetical works of Malherbe, though divided into six books, yet make but a small volume. They consist of paraphrases upon the Psalms, odes, sonnets, and epigrams: and they were published in several forms, to 1666, when a very complete edition of them came out at Paris, with the notes and observations of Menage. Malherbe was certainly the first who gave his countrymen any idea of a legitimate ode, though his own have hardly any thing but harmony to recommend them. He also translated some works of Seneca, and some books of Livy; and if he was not successful in translation, yet he had the happiness to be very well satisfied with his labour. His principal business was to criticize upon the French language; in which he was so well skilled, that some of his friends desired him one day to make a grammar for the tongue. Malherbe replied, "that there was no occasion for him to take that pains, for they might read his translation of the thirtythird book of Livy, and he would have them write after that manner."

Malherbe was born at Caen, about 1555, of an ancient and illustrious family, who had formerly borne arms in England, under Robert duke of Normandy. He lived to be old; and, about 1601, he became known to Henry the Great, from a very advantageous mention of him to that prince by cardinal du Perron. The king asked the cardinal one day, "if he had made any more verses?" To which the cardinal replied, that "he had totally laid aside all such amusements since his majesty had done him the honour to take him into his service; and added, that every body must now throw away their pens for ever, since a gentleman of Normandy, named Malherbe, had carried the French poetry to such a height, as none could hope to reach." About four years after, he was called to court, and enrolled among the pensioners of that monarch. After the death of Henry, queen Mary of Medicis became his patroness, and settled upon him a very handsome pension. This he enjoyed to the time of his death, which happened at Paris in 1628. It was the misfortune of this poet, that

he had no great share in the affection of cardinal Richelieu. It was discovered, that, instead of taking more than ordinary pains, as he should have done, to celebrate the glory of that great minister, he had only patched together old scraps, which he had found among his papers. This was not the way to please a person of so haughty a spirit; and therefore he received this homage from Malherbe very coldly, and not without disgust. "I learned from M. Racan,' says Menage, "that Malherbe wrote those two stanzas above thirty years before Richelieu, to whom he addressed them, was made a cardinal; and that he changed only the four first verses of the first stanza, to accommodate them to his subject. I learned also from the same Racan, that cardinal Richelieu knew that these verses had not been made for him." His apparent indolence upon such an occasion was probably owing to that extreme difficulty with which he always wrote. All writers speak of the time and labour it cost Malherbe to produce his poems.

This poet was a man of a very singular humour; and many anecdotes are related of his peculiarities, by Racan, his friend and the writer of his life. A gentleman of the law, and of some distinction, brought him one day some indifferent commendatory verses on a lady; telling him at the same time, that some very particular considerations had induced him to compose them. Malherbe having run them over with a supercilious air, asked the gentleman bluntly, as his manner was, "whether he had been sentenced to be hanged, or to make those verses?" His manner of punishing his servant was likewise characteristic, and partook not a little of the caprice of Swift. Besides twenty crowns a year, he allowed this servant ten-pence a day board wages, which in those times was very considerable; when therefore he had done any thing amiss, Malherbe would very gravely say: "My friend, an offence against your master is an offence against God, and must be expiated by prayer, fasting, and giving of alms; wherefore I shall now retrench five-pence out of your allowance, and give them to the poor on your account." From other accounts it may be inferred that his impiety was at least equal to his wit. When the poor used to promise him that they would pray to God for him, he answered them, that " he did not believe they could have any great interest in heaven, since they were left in so bad a condition upon earth; and that he should be better pleased if the duke de Luyne, or some

He

other favourite, had made him the same promise." would often say, that "the religion of gentlemen was that of their prince." During his last sickness he was with great difficulty persuaded to confess to a priest; for which he gave this reason, that "he never used to confess but at Easter." And some few moments before his death, when he had been in a lethargy two hours, he awaked on a sudden to reprove his landlady, who waited on him, for using a word that was not good French; saying to his confessor, who reprimanded him for it, that "he could not help it, and that he would defend the purity of the French language to the last moment of his life."

MALINGRE (CLAUDE), Sieur of St. Lazare, a French historian, more known for the number, than esteemed for the value of his books, was a native of Sens. In spite of every artifice to sell his histories, publishing the same under different titles, filling them with flatteries to the reigning princes, and other arts, it was with great difficulty that he could force any of them into circulation. It was not only that his style was low and flat, but that his representation of facts was equally incorrect. Latterly his name was sufficient to condemn a book, and he only put his initials, and those transposed. He died in 1655. His best work is said to be, "Histoire des dignités honoraires de France," 8vo, on which some dependence is placed, be- · cause there he cites his authorities. He wrote also, L. "L'histoire generale des derniers troubles;" comprising the times of Henry III. and Louis XIII. in 4to. 3. "Histoire de Louis XIII." 4to, a miserable collection of facts disguised by flattery, and extending only from 1610 to 1614. 4. "Histoire de la naissance et des progrès de l'Heresie de ce siècle," 3 vols. 4to, the first of which is by father Richeome. 5. "A Continuation of the Roman History from Constantine to Ferdinand the Third," 2 vols. folio; a compilation which ought to contain the substance of Gibbon's History, but offers little that is worthy of attention. 6. "The Annals and Antiquities of Paris," 2 vols. folio. There is another work of this kind by a P. du Breul, which is much more esteemed; this, however, is consulted sometimes as a testimony of the state of Paris in the time of the author.

Gen. Dict.-Niceron, vol. VII.—Moreri-Bullart's Academie des Sciences, vol. II.

2 Niceron, vol. XXXIV.-Moreri.-Dict. Hist,