Women and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi, and The White DevilHumanities Press International, 1989 - 187 Seiten |
Inhalt
Feminism and Tragedy | 9 |
Foregrounding Gender and Tragedy | 34 |
112 | 41 |
Urheberrecht | |
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Alan Sinfield argues becomes Boaistuau Bosola Bracciano Camillo category of woman Catherine Belsey central centre characterised comedy comic concept constitutes constructed contradictions Cordelia Cornell University Press crucial cultural daughter death Desdemona desire Difference in Renaissance differentiation discourse dominant dramatic Duchess of Malfi emphasises English Renaissance example father female characters female speech female tragic female transgression feminine feminism feminist criticism Flamineo genre Goneril and Regan Harvester Press human Iago Iago's idealised ideology Jacobean Jacqueline Rose Jonathan Dollimore King Lear Lear's Lisa Jardine literary London Macbeth malcontent male Marilyn French marriage masculinity Methuen misogynistic misogyny moral mother Othello patriarchal phallic phallus play political position Quoted relation Renaissance tragedy representation sense sexual difference Shakespeare silence social structure symbolic Theatre theory thou traditional criticism tragic action tragic hero tragic paradigm tragic transcendence undermine victim Vittoria voice Webster's White Devil whore women York Zanche