Julius CaesarRandom House Publishing Group, 01.01.1988 - 288 Seiten In this striking tragedy of political conflict, Shakespeare turns to the ancient Roman world and to the famous assassination of Julius Caesar by his republican opponents. The play is one of tumultuous rivalry, of prophetic warnings–“Beware the ides of March”–and of moving public oratory, “Friends, Romans, countrymen!” Ironies abound and most of all for Brutus, whose fate it is to learn that his idealistic motives for joining the conspiracy against a would-be dictator are not enough to sustain the movement once Caesar is dead. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Seite xiv
... scene is the quarrel between Brutus and Cas- sius in Act 4 , scene 3. Here the emotional nuances - guilt , accusation , defensiveness , anger , hurt - are so skillfully wrought that you can almost touch them . One of the finer moments ...
... scene is the quarrel between Brutus and Cas- sius in Act 4 , scene 3. Here the emotional nuances - guilt , accusation , defensiveness , anger , hurt - are so skillfully wrought that you can almost touch them . One of the finer moments ...
Seite xxv
... scene 3 ; Artemidorus and the Soothsayer were often merged into one , and Casca's role was usually expanded to include the lines of Marullus in Act 1 , scene 1 , and Titinius later in the play . The play's supposed improprieties were ...
... scene 3 ; Artemidorus and the Soothsayer were often merged into one , and Casca's role was usually expanded to include the lines of Marullus in Act 1 , scene 1 , and Titinius later in the play . The play's supposed improprieties were ...
Seite xxvii
... scenes , and employed over a hundred supernumeraries in order to give material substance to the participation of ... scene , fo- cused on Antony ( played by Tree ) as he spoke to an immense crowd , with handsome facades and details ...
... scenes , and employed over a hundred supernumeraries in order to give material substance to the participation of ... scene , fo- cused on Antony ( played by Tree ) as he spoke to an immense crowd , with handsome facades and details ...
Inhalt
Foreword | vii |
Introduction | xvii |
Julius Caesar in Performance | xxv |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Alarum Antony's army Artemidorus available in Canada BANTAM CLASSIC-A BANTAM BANTAM CLASSICS battle bear blood Brutus and Cassius BRUTUS CASSIUS Caius Calpurnia Capitol CASCA Cassius CASSIUS BRUTUS Cato Cicero Cinna Claudius CLITUS conspiracy conspirators countrymen dangerous Dardanius Decius Brutus doth dream Enter Brutus Exeunt Exit fear fire Flavius follow FOURTH PLEBEIAN friends give gods hand hath hear heart honor humor ides of March Joseph Papp Julius Caesar king Lepidus Ligarius live look lord Lucilius Marcus Brutus Mark Antony marketplace Marullus matter Messala Metellus Cimber mettle murder night noble Brutus Octavius Philippi Pindarus play's Plutarch political Pompey Pompey's Portia Publius Roman Rome scene SECOND PLEBEIAN Senate SERVANT Shake Shakespeare Shakespeare's play soldiers SOOTHSAYER speak speech spirit stand Strato sword tell theater thee things THIRD PLEBEIAN thou art Titinius tragedies Trebonius unto VARRO Volumnius words
Verweise auf dieses Buch
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Eingeschränkte Leseprobe - 1998 |
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Eingeschränkte Leseprobe - 1998 |