The Complete Works of John Ruskin: Stones of Venice (v.1-2)Kelmscott Society |
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Seite 75
... pillars , to have to squeeze ourselves through one of those angular gaps or brèches de Roland in Fig . X. Our first impulse would be to cut them open ; but we cannot do this , or our piers are unsafe . We have but one other resource ...
... pillars , to have to squeeze ourselves through one of those angular gaps or brèches de Roland in Fig . X. Our first impulse would be to cut them open ; but we cannot do this , or our piers are unsafe . We have but one other resource ...
Seite 81
... pillars being numerous , and in a range . Suppose , however , that we require only a single pillar : as we have free space round it , there is no need to fill up the first ranges of its foundations ; nor need we do so in order to ...
... pillars being numerous , and in a range . Suppose , however , that we require only a single pillar : as we have free space round it , there is no need to fill up the first ranges of its foundations ; nor need we do so in order to ...
Seite 87
... pillars are either jointed like basalt columns , and composed of solid pieces of stone set one above another ; or ... pillar of one stone , so long as no forces are brought into action upon it which would have a tendency to cause horizon ...
... pillars are either jointed like basalt columns , and composed of solid pieces of stone set one above another ; or ... pillar of one stone , so long as no forces are brought into action upon it which would have a tendency to cause horizon ...
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abacus angle aperture apse arch architects architecture architrave archivolt arrangement bars base beautiful bell bevelled brackets brick building buttress Byzantine capital carry cathedral chamfer Chap CHAPTER church concave considered construction cornice curvature curve cusp decoration dentil door Doric dripstone Ducal Palace edge evidently examples expression farther figures gable give Gothic Greek head imitation invented Italy jamb kind leaf light lines lintel Lombard marble Mark's masonry mass ment mouldings natural nave noble northern ogee ornament parapet perfect pieces piers pillars pinnacles Plate projection proportion reader recess Renaissance represented Roman Romanesque roof round sculpture Seven Lamps shafts side simplest slope soffit spandril spur square stone strength superimposition suppose surface sustain thickness things tion Torcello tower tracery Venetian Venice Verona vertical voussoirs wall veil weight whole window Zeno of Verona