 Marner's face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression as a handle or a crooked tube, which has no meaning standing apart.  The Ladies' Companion - Seite 2731861Vollansicht - Über dieses Buch
 | George Eliot - 1861 - 398 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1870 - 816 Seiten
...faco and figure shrank and bunt themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy now looked as if they had been made to see... | |
 | Chambers W. and R., ltd - 1877 - 464 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1878 - 426 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1883 - 742 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1885 - 564 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1886 - 626 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1887 - 438 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 416 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 474 Seiten
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
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