Imagination and Fancy, Or, Selections from the English Poets: Illustrative of Those First Requisites of Their Art : with Markings of the Best Passages, Critical Notices of the Writers, and an Essay in Answer to the Question "What is Poetry?"G.P. Putnam, 1850 - 265 Seiten |
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Seite 3
... true , the answer is , by the fact of their existence , -by the consent and delight of poetic readers . And as feeling is the earliest teacher , and perception the only final proof , of things the most demonstrable by science , so the ...
... true , the answer is , by the fact of their existence , -by the consent and delight of poetic readers . And as feeling is the earliest teacher , and perception the only final proof , of things the most demonstrable by science , so the ...
Seite 5
... true poet , and all of them possessed by the greatest . Perhaps they may be enume- rated as follows : -First , that which presents to the mind any object or circumstance in every - day life ; as when we imagine a man holding a sword ...
... true poet , and all of them possessed by the greatest . Perhaps they may be enume- rated as follows : -First , that which presents to the mind any object or circumstance in every - day life ; as when we imagine a man holding a sword ...
Seite 13
... true , he must not ( as the Platonists would say ) humanize weakly or mistakenly in that region ; otherwise he runs the chance of forgetting to be true to the supernatural itself , and so betraying a want of imagination from that quar ...
... true , he must not ( as the Platonists would say ) humanize weakly or mistakenly in that region ; otherwise he runs the chance of forgetting to be true to the supernatural itself , and so betraying a want of imagination from that quar ...
Seite 19
... true embodiment . In poets , even good of their kind , but without a genius for narration , the action would have been en- cumbered or diverted with ingenious mistakes . The over - con- templative would have given us too many remarks ...
... true embodiment . In poets , even good of their kind , but without a genius for narration , the action would have been en- cumbered or diverted with ingenious mistakes . The over - con- templative would have given us too many remarks ...
Seite 25
... true poet is no clog . It is idly called a trammel and a difficulty . It is a help . It springs from the same enthusiasm as the rest of his impulses , and is necessary to their satisfaction and effect . Verse is no more a clog than the ...
... true poet is no clog . It is idly called a trammel and a difficulty . It is a help . It springs from the same enthusiasm as the rest of his impulses , and is necessary to their satisfaction and effect . Verse is no more a clog than the ...
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Agnes alliteration angels Archimago Ariel Beaumont Beaumont and Fletcher beauty Ben Jonson breath Caliban charm Chaucer Christabel Coleridge Correggio dance Dante delight Demogorgon divine doth dreadful dream earth enchanted exquisite eyes Faerie Faerie Queene fair fairy fancy feeling fire flowers genius gentle golden goodly grace hast hath head hear heard heart heaven Hecate imagination lady light live look lord Lycidas Macbeth Mammon melancholy Milton moon Morpheus mortal nature never night o'er OBERON pain painted Painter passage passion play poem poet poetical poetry Porphyro Priam Proserpina queen reader rhyme round satyrs sense Shakspeare sing sleep soft song soul sound Spenser spirit sprite stanza sweet Sycorax Tamburlaine tears thee Theoph thine things thou art thought TITANIA tree truth unto verse versification voice wanton wind wings witch wood word writing young δε