Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
Im Buch
Ergebnisse 1-5 von 74
Seite
... Brutus, first performed at Covent Garden in 1744. His manner was cool, formal, and intellectual, admirably suited to Brutus, though he was criticized for lacking Garrick's naturalness. From Bell's Shakespeare (1773-76). PENGUIN BOOKS ...
... Brutus, first performed at Covent Garden in 1744. His manner was cool, formal, and intellectual, admirably suited to Brutus, though he was criticized for lacking Garrick's naturalness. From Bell's Shakespeare (1773-76). PENGUIN BOOKS ...
Seite
... Brutus, for example, both decide upon courses of action and then change their minds. At times, what motivates and dictates the choices that are made is unclear, and indeed at the conclusion of the play - one of Shakespeare's shortest ...
... Brutus, for example, both decide upon courses of action and then change their minds. At times, what motivates and dictates the choices that are made is unclear, and indeed at the conclusion of the play - one of Shakespeare's shortest ...
Seite
... Brutus seems, by contrast, emotionally distanced from his wife, suggesting that his obsession with honor and patriotism has emptied him of a capacity to connect emotionally with others. When he confides to Cassius that his wife is dead ...
... Brutus seems, by contrast, emotionally distanced from his wife, suggesting that his obsession with honor and patriotism has emptied him of a capacity to connect emotionally with others. When he confides to Cassius that his wife is dead ...
Seite
... Brutus? Caesar, after all, dies early in the third act, while Brutus is the figure whose death draws the play to a close. In dramatic terms, the play's title calls attention to the fact that killing Caesar does not dispose of him; he ...
... Brutus? Caesar, after all, dies early in the third act, while Brutus is the figure whose death draws the play to a close. In dramatic terms, the play's title calls attention to the fact that killing Caesar does not dispose of him; he ...
Seite
... Brutus requests that his servant Lucius help him in establishing the date (II.1.42), their lines emphasize the indeterminate nature of time as it was experienced both by Roman citizens and, after them, English subjects. That the ...
... Brutus requests that his servant Lucius help him in establishing the date (II.1.42), their lines emphasize the indeterminate nature of time as it was experienced both by Roman citizens and, after them, English subjects. That the ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong