Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... Rome hangs in the balance at the beginning of the play, the stakes are high for everyone involved. If we are inclined to see the political and personal as separate realms, as is often the case in Shakespeare's comedies, in Julius Caesar ...
... Rome hangs in the balance at the beginning of the play, the stakes are high for everyone involved. If we are inclined to see the political and personal as separate realms, as is often the case in Shakespeare's comedies, in Julius Caesar ...
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... Rome, and can be read, in fact, as a rough draft of the opening scene of Shakespeare's Roman play: But now behold, In the quick forge and working-house of thought, How London doth pour out her citizens! The mayor and all his brethren in ...
... Rome, and can be read, in fact, as a rough draft of the opening scene of Shakespeare's Roman play: But now behold, In the quick forge and working-house of thought, How London doth pour out her citizens! The mayor and all his brethren in ...
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... Rome.” For the enterprising playwright and his company, however, it might have seemed fitting to usher in a new Roman playhouse with a new Roman play. As Henry V indicates, Shakespeare has Caesar in mind when he imagines a figure both ...
... Rome.” For the enterprising playwright and his company, however, it might have seemed fitting to usher in a new Roman playhouse with a new Roman play. As Henry V indicates, Shakespeare has Caesar in mind when he imagines a figure both ...
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... Rome (fourth century): the victory of the Romans over the Goths and the accompanying revenge of the Roman general Titus after his family has been destroyed by the machinations of the foreign Queen Tamora and her sons. The last ...
... Rome (fourth century): the victory of the Romans over the Goths and the accompanying revenge of the Roman general Titus after his family has been destroyed by the machinations of the foreign Queen Tamora and her sons. The last ...
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... Rome, laying siege to the city before being slain. Antony and Cleopatra (1606-7) turns to the inauguration of Imperial Rome with the passionate love of Mark Antony for Cleopatra and their ensuing defeat at the Battle of Alexandria in 30 ...
... Rome, laying siege to the city before being slain. Antony and Cleopatra (1606-7) turns to the inauguration of Imperial Rome with the passionate love of Mark Antony for Cleopatra and their ensuing defeat at the Battle of Alexandria in 30 ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong