Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... better than vagabonds, constantly in danger of arrest or expulsion. In the late 1560s and 1570s, however, English professional theater began to gain respectability. Wealthy aristocrats fond of drama - the Lord Admiral, for example, or ...
... better than vagabonds, constantly in danger of arrest or expulsion. In the late 1560s and 1570s, however, English professional theater began to gain respectability. Wealthy aristocrats fond of drama - the Lord Admiral, for example, or ...
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... better education than most aristocrats in Elizabethan England - and Oxford was not particularly well educated.) Shakespeare received in the Stratford grammar school a formal education that would daunt many college graduates today; and ...
... better education than most aristocrats in Elizabethan England - and Oxford was not particularly well educated.) Shakespeare received in the Stratford grammar school a formal education that would daunt many college graduates today; and ...
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... better sense of at least one of the throwaway lines in Hamlet: Polonius's reference to having once played Caesar in a university production. If we speculate, as have some scholars, that the same actor assumed both parts for the Lord ...
... better sense of at least one of the throwaway lines in Hamlet: Polonius's reference to having once played Caesar in a university production. If we speculate, as have some scholars, that the same actor assumed both parts for the Lord ...
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... better that the enemy seek us,” he insists. “So shall he waste his means, weary his soldiers, / Doing himself offense; whilst we, lying still, / Are full of rest, defense, and nimbleness” (IV.2.251-54). Later, after the Battle of ...
... better that the enemy seek us,” he insists. “So shall he waste his means, weary his soldiers, / Doing himself offense; whilst we, lying still, / Are full of rest, defense, and nimbleness” (IV.2.251-54). Later, after the Battle of ...
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... puts on this tardy form. This rudeness is a sauce to his good wit, Which gives men stomach to digest his words With better appetite. BRUTUS And so it is. For this time I will leave you. Tomorrow, if you please to speak with me, I will.
... puts on this tardy form. This rudeness is a sauce to his good wit, Which gives men stomach to digest his words With better appetite. BRUTUS And so it is. For this time I will leave you. Tomorrow, if you please to speak with me, I will.
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong