Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... death of the boys' companies and of their highly innovative theaters (for which such luminous playwrights as Ben Jonson, George Chapman, and John Marston wrote), their playing spaces and conventions had an immense impact on subsequent ...
... death of the boys' companies and of their highly innovative theaters (for which such luminous playwrights as Ben Jonson, George Chapman, and John Marston wrote), their playing spaces and conventions had an immense impact on subsequent ...
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... death on April 23, 1616, and burial in Holy Trinity Church, Stratford-upon-Avon. THE. QUESTION. OF. AUTHORSHIP. The history of ascribing Shakespeare's plays (the poems do not come up so often) to someone else began, as it continues ...
... death on April 23, 1616, and burial in Holy Trinity Church, Stratford-upon-Avon. THE. QUESTION. OF. AUTHORSHIP. The history of ascribing Shakespeare's plays (the poems do not come up so often) to someone else began, as it continues ...
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... death, and was authorized by his fellow actors, the co-owners of the King's Men. This publication was certainly a mark of the company's enormous respect for Shakespeare; but it was also a way of turning the old plays, most of which were ...
... death, and was authorized by his fellow actors, the co-owners of the King's Men. This publication was certainly a mark of the company's enormous respect for Shakespeare; but it was also a way of turning the old plays, most of which were ...
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... death; or Brutus's insistence that the conspirators need not fear Mark Antony, the play's ultimate hero, as his triumvirate is victorious at the end. Julius Caesar may well have been the first play performed by the Lord Chamberlain's ...
... death; or Brutus's insistence that the conspirators need not fear Mark Antony, the play's ultimate hero, as his triumvirate is victorious at the end. Julius Caesar may well have been the first play performed by the Lord Chamberlain's ...
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... death, followed by the rapid, offstage organization of the triumvirate of Antony, Octavius, and Lepidus, an alliance ... death speaks to the dangerous chaos that ensues following Caesar's death. In Shakespeare's play, by contrast, the ...
... death, followed by the rapid, offstage organization of the triumvirate of Antony, Octavius, and Lepidus, an alliance ... death speaks to the dangerous chaos that ensues following Caesar's death. In Shakespeare's play, by contrast, the ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong