Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... early editors are omitted (as is becoming standard practice), but for the convenience of those who miss them, an indication of locale now appears as the first item in the annotation of each scene. In the interest of both elegance and ...
... early editors are omitted (as is becoming standard practice), but for the convenience of those who miss them, an indication of locale now appears as the first item in the annotation of each scene. In the interest of both elegance and ...
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... (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Archaeological studies of the foundations of the Rose and Globe theaters have revealed that the open-air theater.
... (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Archaeological studies of the foundations of the Rose and Globe theaters have revealed that the open-air theater.
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... early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed that in the mid-1590s there were about 15,000 spectators per week at the public theaters; thus, as many as 10 percent of the ...
... early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed that in the mid-1590s there were about 15,000 spectators per week at the public theaters; thus, as many as 10 percent of the ...
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... early modern “private” theater, musical performances apparently filled the intermissions, which in Stuart theater jargon seem to have been called “acts.” At the end of the first decade of the seventeenth century, the distinction between ...
... early modern “private” theater, musical performances apparently filled the intermissions, which in Stuart theater jargon seem to have been called “acts.” At the end of the first decade of the seventeenth century, the distinction between ...
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... Early in 1595 he was named one of the senior members of a prominent acting company, the Lord Chamberlain's Men, when they received payment for court performances during the 1594 Christmas season. Clearly, Shakespeare had achieved both ...
... Early in 1595 he was named one of the senior members of a prominent acting company, the Lord Chamberlain's Men, when they received payment for court performances during the 1594 Christmas season. Clearly, Shakespeare had achieved both ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong