Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... hear again and again (III.2.82, 87,94, 99), but each time the term loses that much more resonance. How, Antony asks implicitly, is Brutus's honor to replace the slain Caesar when it is nowhere to be seen? Where Brutus speaks in ...
... hear again and again (III.2.82, 87,94, 99), but each time the term loses that much more resonance. How, Antony asks implicitly, is Brutus's honor to replace the slain Caesar when it is nowhere to be seen? Where Brutus speaks in ...
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... hear Cassius speak. His speeches have been assigned throughout the rest of this scene to the Fourth Plebeian. Likewise, the speeches F assigns to the Fourth Plebeian are for the rest of this scene reassigned to the Fifth Plebeian; see ...
... hear Cassius speak. His speeches have been assigned throughout the rest of this scene to the Fourth Plebeian. Likewise, the speeches F assigns to the Fourth Plebeian are for the rest of this scene reassigned to the Fifth Plebeian; see ...
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... hear the replication of your sounds Made in her concave shores? And do you now put on your best attire? And do you now cull out a holiday? And do you now strew flowers in his way That comes in triumph over Pompey's blood? Be gone! Run ...
... hear the replication of your sounds Made in her concave shores? And do you now put on your best attire? And do you now cull out a holiday? And do you now strew flowers in his way That comes in triumph over Pompey's blood? Be gone! Run ...
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... hear a tongue shriller than all the music Cry “Caesar!” Speak. Caesar is turned to hear. SOOTHSAYER Beware the ides of March. CAESAR What man is that? BRUTUS A soothsayer bids you beware the ides of March. CAESAR Set him before me; let ...
... hear a tongue shriller than all the music Cry “Caesar!” Speak. Caesar is turned to hear. SOOTHSAYER Beware the ides of March. CAESAR What man is that? BRUTUS A soothsayer bids you beware the ides of March. CAESAR Set him before me; let ...
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... hear. And since you know you cannot see yourself So well as by reflection, I, your glass, Will modestly discover to yourself That of yourself which you yet know not of. And be not jealous on me, gentle Brutus. 49 shows manifestations 50 ...
... hear. And since you know you cannot see yourself So well as by reflection, I, your glass, Will modestly discover to yourself That of yourself which you yet know not of. And be not jealous on me, gentle Brutus. 49 shows manifestations 50 ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong