Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... performed at Covent Garden in 1744. His manner was cool, formal, and intellectual, admirably suited to Brutus, though he was criticized for lacking Garrick's naturalness. From Bell's Shakespeare (1773-76). PENGUIN BOOKS Published by the ...
... performed at Covent Garden in 1744. His manner was cool, formal, and intellectual, admirably suited to Brutus, though he was criticized for lacking Garrick's naturalness. From Bell's Shakespeare (1773-76). PENGUIN BOOKS Published by the ...
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... performed, and received. For centuries in England, the primary theatrical tradition was nonprofessional. Craft guilds (or “mysteries”) provided religious drama - mystery plays - as part of the celebration of religious and civic ...
... performed, and received. For centuries in England, the primary theatrical tradition was nonprofessional. Craft guilds (or “mysteries”) provided religious drama - mystery plays - as part of the celebration of religious and civic ...
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... performed twenty-eight times in eighteen different plays. Since natural light illuminated the amphitheaters' stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often concluded ...
... performed twenty-eight times in eighteen different plays. Since natural light illuminated the amphitheaters' stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often concluded ...
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... performed before Greene wrote) and seems to say that “Shake-scene” is both actor and playwright, a jack-of-all-trades. That same year, Henry Chettle protested Greene's remarks in Kind-Heart's Dream, and each of the next two years saw ...
... performed before Greene wrote) and seems to say that “Shake-scene” is both actor and playwright, a jack-of-all-trades. That same year, Henry Chettle protested Greene's remarks in Kind-Heart's Dream, and each of the next two years saw ...
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... performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the Latin for “four”) are small books, printed on sheets of ...
... performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the Latin for “four”) are small books, printed on sheets of ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong