Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... play was advertised, as old and new were, through printed playbills posted around London. The metropolitan area's late-Tudor, early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed ...
... play was advertised, as old and new were, through printed playbills posted around London. The metropolitan area's late-Tudor, early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed ...
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... play must have been performed before Greene wrote) and seems to say that “Shake-scene” is both actor and playwright, a jack-of-all-trades. That same year, Henry Chettle protested Greene's remarks in Kind-Heart's Dream, and each of the ...
... play must have been performed before Greene wrote) and seems to say that “Shake-scene” is both actor and playwright, a jack-of-all-trades. That same year, Henry Chettle protested Greene's remarks in Kind-Heart's Dream, and each of the ...
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... play quartos, including some non-Shakespearean ones, to Shakespeare, either by name or initials, and we may assume that they deemed Shakespeare's name and supposed authorship, true or false, commercially attractive. For the next ten ...
... play quartos, including some non-Shakespearean ones, to Shakespeare, either by name or initials, and we may assume that they deemed Shakespeare's name and supposed authorship, true or false, commercially attractive. For the next ten ...
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... Play-going in Shakespeare's London, 2nd ed. (1996); Edwin Nungezer, A Dictionary of Actors (1929); Carol Chillington Rutter, ed., Documents of the Rose Playhouse (1984). Books About Shakespeare's Life The following books provide ...
... Play-going in Shakespeare's London, 2nd ed. (1996); Edwin Nungezer, A Dictionary of Actors (1929); Carol Chillington Rutter, ed., Documents of the Rose Playhouse (1984). Books About Shakespeare's Life The following books provide ...
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... play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the ...
... play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong