Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate decoration. Much of the structure was carved or painted, sometimes to imitate marble; elsewhere, as under the canopy projecting over the ...
... stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate decoration. Much of the structure was carved or painted, sometimes to imitate marble; elsewhere, as under the canopy projecting over the ...
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... stage (as in Bertolt Brecht's twentieth-century productions). Equally captivating (and equally irritating to the theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving ...
... stage (as in Bertolt Brecht's twentieth-century productions). Equally captivating (and equally irritating to the theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving ...
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... stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) ...
... stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) ...
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... Stage, 7 vols. (1941-68), and the same author's The Professions of Dramatist and Player in Shakespeare's Time, 1590- 1642 (1986); E. K. Chambers, The Elizabethan Stage, 4 vols. (1923); R. A. Foakes, Illustrations of the English Stage ...
... Stage, 7 vols. (1941-68), and the same author's The Professions of Dramatist and Player in Shakespeare's Time, 1590- 1642 (1986); E. K. Chambers, The Elizabethan Stage, 4 vols. (1923); R. A. Foakes, Illustrations of the English Stage ...
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... stage. The resulting text belonged to the company. The playwright had no rights in it once he had been paid. (This system survives largely intact in the movie industry, and most of the playwrights of Shakespeare's time were as anonymous ...
... stage. The resulting text belonged to the company. The playwright had no rights in it once he had been paid. (This system survives largely intact in the movie industry, and most of the playwrights of Shakespeare's time were as anonymous ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong