Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterG. P. Putnam's sons, 1919 - 379 Seiten |
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Seite xi
... FACE OF THE FIGURE REPRESENTING PROFANE LOVE IN TITIAN'S PICTURE SUBSTITUTED FOR THAT OF THE VIRGIN PLATE 10. - RAPHAEL'S HOLY FAMILY ( MADRID ) , WITH THE FACE OF LUINI'S SALOME SUBSTI- TUTED FOR THAT OF THE VIRGIN PLATE II . THE ...
... FACE OF THE FIGURE REPRESENTING PROFANE LOVE IN TITIAN'S PICTURE SUBSTITUTED FOR THAT OF THE VIRGIN PLATE 10. - RAPHAEL'S HOLY FAMILY ( MADRID ) , WITH THE FACE OF LUINI'S SALOME SUBSTI- TUTED FOR THAT OF THE VIRGIN PLATE II . THE ...
Seite 80
... , or by symbols in the form of human figures of beauty . But while the poet cannot throw upon the brain a particular form of human beauty , he may suggest a Raphael's Sistine Madonna , with the Face of the Central 80 Art Principles.
... , or by symbols in the form of human figures of beauty . But while the poet cannot throw upon the brain a particular form of human beauty , he may suggest a Raphael's Sistine Madonna , with the Face of the Central 80 Art Principles.
Seite 80
... Sistine Madonna , with the Face of the Central Figure in Fragonard's " The Pursuit " Substituted for that of the Virgin greater beauty than that which the painter or sculp- tor. ( See page 139 ) ( See page 138 ). PLATE 8.
... Sistine Madonna , with the Face of the Central Figure in Fragonard's " The Pursuit " Substituted for that of the Virgin greater beauty than that which the painter or sculp- tor. ( See page 139 ) ( See page 138 ). PLATE 8.
Seite 92
... face and emaciated features and limbs , as the epitome of sadness and sorrow . This expression was modified as the arts travelled to the north and west of Europe , and gradually His face began to assume more regularity and beauty . Then ...
... face and emaciated features and limbs , as the epitome of sadness and sorrow . This expression was modified as the arts travelled to the north and west of Europe , and gradually His face began to assume more regularity and beauty . Then ...
Seite 92
... Ernest Govett. Raphael's Virgin of the Rose with the Face of " Profane Love " in Titian's Picture Substituted for that of the Virgin wears flowing hair with a short beard and usually a. ( See page 138 ) ( See page 139 ). PLATE 9.
... Ernest Govett. Raphael's Virgin of the Rose with the Face of " Profane Love " in Titian's Picture Substituted for that of the Virgin wears flowing hair with a short beard and usually a. ( See page 138 ) ( See page 139 ). PLATE 9.
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Häufige Begriffe und Wortgruppen
accessories action æsthetic æsthetic value ancient Angels Aphrodite appear artist Associated Arts bronze century character Child Christ Coll colour commonly composition considerable Correggio countenance death Deity divine drapery effect emotional Encyclopædia Britannica example executed exhibited experience expression figure Florence frescoes Frick Collection Giorgione goddess grace Grecian Greeks harmony head hence Homer human ideal illusion of motion imagination imitation Impressionism indicated invention Italian Jacob Ruysdael kind landscape less Lionardo Louvre Madonna masters Michelangelo mind Museum National Gallery nature necessarily nerves Nicholas Poussin NOTE observer opening distance painter painting particular perfect personages Phidias picture Pitti Palace PLATE poet poetry portrait portraiture pose possible Praxiteles present presumed produced pure qualities Raphael rarely recognized relief Rembrandt Renaissance representation represented Reynolds Rubens scene sculpture sensorial beauty signs sion smile still-life sublime suggestion things Timanthes Tintoretto tion Titian tones Uffizi Uffizi Gallery varied Velasquez Venus Venus Anadyomene Virgin woman
Beliebte Passagen
Seite 301 - Blest as th" immortal gods is he, The youth who fondly sits by thee, And hears and sees thee all the while Softly speak and sweetly smile. 'Twas this deprived my soul of rest, And raised such tumults in my breast ; For while I gazed, in transport tost, My breath was gone, my voice was lost : III.
Seite 282 - You must have no dependence on your own genius. If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour: nothing is to be obtained without it.
Seite 282 - The poorest of men, as he observed himself, did not labour from necessity more than he did from choice. Indeed, from all the circumstances related of his life, he appears not to have had the least conception that his art was to be acquired by any other means than great labour ; and yet he, of all men that ever lived, might make the greatest pretensions to the efficacy of native genius and inspiration.
Seite 303 - I viewed them again and again ; I even affected to feel their merit and admire them more than I really did. In a short time, a new taste and a new. perception began to dawn upon me, and I was convinced that I had originally formed a false opinion of the perfection of art...
Seite 301 - O'er my dim eyes a darkness hung ; My ears with hollow murmurs rung. IV. In dewy damps my limbs were chill'd ; My blood with gentle horrors thrill'd ; My feeble pulse forgot to play ; I fainted, sunk, and died away.
Seite 275 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Seite 310 - Thou hast come, O stranger, to the seats of this land, renowned for the steed ; to seats the fairest on earth, the chalky Colonus ; where the vocal nightingale, chief abounding, trills her plaintive note in the green vales, tenanting the dark-hued ivy and the leafy grove of the god, untrodden [by mortal foot], teeming with fruits, impervious to the sun, and unshaken by the winds of every storm ; where Bacchus ever roams in revelry companioning his divine nurses.
Seite 351 - He could not for some time account for this circumstance; but when he recollected, that when he first saw them, he had his note-book in his hand, for the purpose of writing down short remarks, he perceived what had occasioned their now making a less impression in this respect than they had done formerly.. By the eye passing immediately from the white paper to the picture, the colours derived uncommon richness and warmth.. For want of this foil, they afterwards appeared comparatively cold.
Seite 301 - Twas this deprived my soul of rest, And raised such tumults in my breast; For while I gazed, in transport tost, My breath was gone, my voice was lost. "My bosom glowed; the subtle flame Ran quick through all my vital frame; O'er my dim eyes a darkness hung; My ears with hollow murmurs rung. "In dewy damps my limbs were chilled; My blood with gentle horrors thrilled; My feeble pulse forgot to play, I fainted, sunk, and died away.
Seite 282 - If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour: nothing is to be obtained without it. Not to enter into metaphysical discussions on the nature or essence of genius, I will venture to assert that assiduity unabated by difficulty, and a disposition eagerly directed to the object of its pursuit, will produce effects similar to those which some call the result of natural powers.