Reading Shakespeare in Performance: King LearFairleigh Dickinson Univ Press, 1991 - 245 Seiten This work attempts to bring together the divided commitments of academics and theater people. Its method is threefold: scrutinizing the text for signals that may guide production, identifying and analyzing those moments that represent textual and performance cruces, and looking at ways in which performance interprets text by focusing on King Lear. |
Inhalt
| 11 | |
1 1 | 25 |
1 4 and 2 4 | 65 |
3 6 | 91 |
4 6 | 105 |
5 3 | 122 |
5 3 | 135 |
Conclusion | 158 |
Appendix on the BBC and Granada Productions | 172 |
| 241 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Albany Albany and Cornwall Albany's Anna Calder-Marshall audience BBC production blind Brook Burgundy camera characters closeup Cordelia Cornwall coronet cuts darker purpose daughter David Plowright death Diana Rigg director division Dover Cliff downstage dramatic Edgar Edmund eyes face father film final Folio Fool frame France and Burgundy gesture gives Gloucester Gloucester's Goneril Goneril and Regan Granada production Granada Television hand Hordern husband Ibid Kent Kent and Gloucester Kent's King Lear kingdom Laurence Olivier Lear and Cordelia Lear's lines look love test medium Michael Elliott Michael Hordern Miller mock trial moves offer Olivier's Lear opening scene Oswald Peter Brook Plowright promised end Quarto reaction reading Regan response ritual says screen sequence Shake Shakespeare's plays share sisters smile speak speare's speech stage images stands Stonehenge stones studio suggests television production Theatre theatrical thou throne tion tragedy turns University Press upstage visual
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Shakespearean Illuminations: Essays in Honor of Marvin Rosenberg Marvin Rosenberg Eingeschränkte Leseprobe - 1998 |