Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 41
Seite 172
... Luciana's suggestions and to the signs of encouragement which she gives him . The first thing he says is that he acknowledges her as his teacher : she is to teach him ' how to think and speak ' ( III , ii , 33 ) . He then goes on to say ...
... Luciana's suggestions and to the signs of encouragement which she gives him . The first thing he says is that he acknowledges her as his teacher : she is to teach him ' how to think and speak ' ( III , ii , 33 ) . He then goes on to say ...
Seite 184
... Luciana Good sister let us dine and never fret ; A man is master of his liberty . ( 2.1.6-7 ) Adriana Why should their liberty than ours be more ? Luciana Because their business still lies out o ' door ( 2.1.11 ) ( i.e. , the husband's ...
... Luciana Good sister let us dine and never fret ; A man is master of his liberty . ( 2.1.6-7 ) Adriana Why should their liberty than ours be more ? Luciana Because their business still lies out o ' door ( 2.1.11 ) ( i.e. , the husband's ...
Seite 185
... Luciana herself was the object of his affections , then the matter could no longer be kept from her sister . In this later scene ( 4.2 ) , Luciana perhaps reveals more than she intends ; for it now becomes clear that she found Antipho ...
... Luciana herself was the object of his affections , then the matter could no longer be kept from her sister . In this later scene ( 4.2 ) , Luciana perhaps reveals more than she intends ; for it now becomes clear that she found Antipho ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words