Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 236
... Navarre that women had in the academies of Renaissance Italy . For his plot demands that Navarre's academy have more of the cold ascetic flavor of the northern Renaissance than the warm expansiveness of Flo- rentine humanism . A search ...
... Navarre that women had in the academies of Renaissance Italy . For his plot demands that Navarre's academy have more of the cold ascetic flavor of the northern Renaissance than the warm expansiveness of Flo- rentine humanism . A search ...
Seite 239
... Navarre's courtesy by overboldness of speech . Now when Navarre makes one last stilted appeal for love , she simply answers , " I understand you not - my griefs are double . " She will not " at the latest minute of the hour " grant her ...
... Navarre's courtesy by overboldness of speech . Now when Navarre makes one last stilted appeal for love , she simply answers , " I understand you not - my griefs are double . " She will not " at the latest minute of the hour " grant her ...
Seite 253
... Navarre his task ( V.2.788-812 ) is strikingly non- comic in spirit , even though it has a romance dimension of a hard trial at the end of which the Princess is to be won . It has a stern earnestness , reinforced by the religious ...
... Navarre his task ( V.2.788-812 ) is strikingly non- comic in spirit , even though it has a romance dimension of a hard trial at the end of which the Princess is to be won . It has a stern earnestness , reinforced by the religious ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words