Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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... Shake- speare gives us no assurance that order has been restored or that the future will be less bleak than the present . Booth describes the ending of Lear , after the king enters with Cordelia in his arms , as " the most terrifying ...
... Shake- speare gives us no assurance that order has been restored or that the future will be less bleak than the present . Booth describes the ending of Lear , after the king enters with Cordelia in his arms , as " the most terrifying ...
Seite 144
... Shake- speare does not even differentiate between characters : the two Dromios really are interchangeable . He never allows his characters any substantial complexity : Antipholus of Syracuse seems at first interesting , but he soon ...
... Shake- speare does not even differentiate between characters : the two Dromios really are interchangeable . He never allows his characters any substantial complexity : Antipholus of Syracuse seems at first interesting , but he soon ...
Seite 171
... Shake- speare shows another classical ' rebirth ' - Hermione's reunion with her husband . ) At any rate , the ' gossips ' feast ' in Errors is alluded to in a metaphorical way , and Shake- speare deliberately avoids any ' sacramental ...
... Shake- speare shows another classical ' rebirth ' - Hermione's reunion with her husband . ) At any rate , the ' gossips ' feast ' in Errors is alluded to in a metaphorical way , and Shake- speare deliberately avoids any ' sacramental ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words